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ELECTRIC ROCK
Numerous explanations for the phenomena of luminescence and phosphorescence flood the technical literature of the day. Each seek mechanistic explanation for the remarkable radiance of certain materials and apparatus. Despite these academic speculations, the phenomena of luminosity and phosphorescence represent some very essence of our deepest dreams and mythic desires. Strange light sources form the heart of all artifices of legendary magick. These are fascinating archetypes, which surpass our merely intellectual fixations. Why their mere mention fills us with an awesome reverence has much deeper source.
Each new technological epoch is always accompanied by the emergence of new and remarkable light sources. From the latter part of the nineteenth century until the middle 1930's there was an abundant emergence of such devices. While many of these "lanterns" required the forced generation of energies, there were a significant number of devices, which did not. In the following account, we will see that the fables of "lost magickal elements" and "radiant rocks" are grounded in truth.

Dr. Moray
"I started my experiments with the taking of electricity from the ground, as I termed it, during the summer of 1909. By fall of 1910 I had sufficient power to operate a small electrical device, and I made a demonstration of my idea to two friends... This demonstration in the early stages consisted of operating a miniature arc light... It soon became evident that the energy was not static and that the static of the universe would be of no assistance to me in obtaining the power I was seeking...
During the Christmas Holidays of 1911, I began to fully realize that the energy I was working with was not of a static nature, but of an oscillating nature. Further I realized that the energy was not coming out of the earth, but instead was coming to the earth from some outside source. These electrical oscillations in the form of waves were not simple oscillations, but were surgings --- like the waves of the sea --- coming to the earth continually, more in the daytime than at night, but always coming in vibrations from the reservoir of colossal energy out there in space. By this time I was able to obtain enough power to light the old 16-candlepower carbon lamp for about one half capacity, and I did not seem to make any further improvement until the spring of 1925."
 
Dr. Thomas Henry Moray, an electrical engineer, began research on aerial static generators in 1910. He succeeded in deriving usable electrical energy from the earth's electrostatic field. Many others had achieved similar results in the century preceding Dr. Moray. Patents of "aerial batteries" fill the archives (Vion, Ward, Dewey, Palenscar, Pennock, Plausen). Their remarkable efficiency required only the establishment of elevated stations in appropriate places, each differing in the actual mode of extracting the atmospheric energies. Some of these aerial battery systems successfully provided the utility requirements of small factories and telegraphic exchanges.
Dr. Moray was fascinated with the concept of drawing electrical energy directly from the environment. His initial and primitive tests brought a modest amount of electrical energy from his aerial battery design, producing clicking tones in a telephone receiver. With this device, he gradually developed enough atmospherically derived energy to light a small neon "arc lamp". Dr. Moray was encouraged, but not satisfied with these results. There had to be a way to get much more energy from the environment.
Static-field systems are necessarily tall aerial structures, requiring a great deal of space. Some designers used large balloons to hoist their static collectors. Others simply utilized fixed structures: large mountain-poised screens, point-studded poles. Benjamin Ward used an astounding "directional chute" which "funneled" electrostatic winds. Aerial batteries relied on the surface area of structures to absorb electrostatic charges. The larger the system, the more the available electrical power. Moray wanted to miniaturize these large systems. If miniaturization was to be the design goal, there would be a necessary and revolutionary change in the approach.
While investigating the output of his device, he discovered a feature of the natural static energy, which had somehow been overlooked by other aerial battery designers. The electrostatic power had a flimmering, pulsating quality to it. He learned of this "static pulsation" while listening through headphones, which were connected to telephone wires. The static came in a single, potent surge. This first "wave" subsided, with numerous "back surges" following. Soon thereafter, the process repeated itself. The static surges came "like ocean waves". Indeed, with the volume of "white noise" which they produced, they sounded like ocean waves!
These peculiar waves did not arrive with "clock precision". Just like ocean waves, they arrived in schedules of their own. Dr. Moray was convinced that these were world-permeating waves. He came to believe that they represented the natural "cadence of the universe". This intriguing characteristic suggested that small amounts of pulsating electrostatic charge might be used to induce large oscillations in a large "tank" of charge. The resultant oscillating power would be applied to industrial use. But experiments in these avenues were not very promising.
Dr. Moray believed that the earth's natural electrical energies were derived from the mineral content of the ground. He therefore began examining minerals with a rare devotion. Everywhere he went, mineral hunting was the first impulse. These minerals became quite a collection. Each was examined in his small laboratory to discover any possible new electrical properties, which might reveal the truth of his ideas.
There was practical truth in his first suppositions. The early days of Radio utilized mineral crystals to detect signals. Tesla was perhaps first in announcing that selenium crystals could detect the special rays with which he was principally occupied. Thereafter several different personalities claimed to have "discovered" the crystal detection method.
Essentially solid state in nature, the method uses mineral crystals to "detect" radio signals. Fine wires ("catwhiskers") touched mineral surfaces at specific "sensitive points" and were tuned with a small coil. One could receive radio signals without batteries by employing this detector. When connected with an aerial, a ground rod, variable coil tuner and headphones, the resulting "crystal set" provided a means for receiving strong radio signals. As children, many of us had these little crystal sets. They are still popular and may be purchased for a few dollars in science shops today.
Since the crystal was the key to better radio reception, experimenters were searching the mineral kingdom for new and more sensitive detector crystals. Early radio magazines taught the eager hobbyist how to mount special radiosensitive mineral crystals. There were several favorites of which radio hobbyists were very fond. A brilliantly reflective metallic crystal having a silvery blue cast, Galena was the mineral of choice. Pyrite, otherwise known as "fool's gold", is a close second to Galena. As a radio detector, Pyrite gives a good signal strength in the headphones. Some preferred Molybdenite, a mineral that is especially sensitive to infrared energy as well as radiosignals. Radio amateurs were always trying new mineral crystals to see which ones amplified radio stations with greater strength and clarity. Each had their favorite crystals. Little did the radio enthusiasts know why there was mystery in this quest for "radiant crystals"!
Advancing the science of crystal radio detection, certain researchers discovered that contact-combinations of minerals gave stronger signal amplifications. When carborundum and silicon crystal nuggets were pressed together with little springs in a metal tube, the signal strength was enormous. Small battery voltages turned these mineral detectors into amplifiers, early transistor-like detectors. Bi-mineral and bi-metallic hybrids were tried with good results. Mineral-metal, mineral-mineral, even multiple minerals in contact with two different metals produced enormous magnifications of signal strength.
Some detectors incorporated carnotite, a radioactive mineral. This greatly increased conductivity with a resultant enormous signal magnification. Coating aerial points and catwhiskers with autonite, another mild radioactive mineral, produced amplified signals. There were small companies, which manufactured synthetic minerals ("Radiocite" and "Russonite"). These claimed superiority in the signal-boosting ability. There were scores of other sensitive minerals, which gradually appeared in the journals, some natural and rare, and some synthetic compositions.
In light of these wonders, a full-scale assault on the mineral kingdom was launched by both private and government research labs. It was discovered again that the mineral world is not simple. The mineral world is mysterious and locale-specific. Each ground site where minerals are found evidences unique mineral combinations and admixtures. The special qualities of identical mineral species can vary completely among geographic points.
Galena contains critical element traces, which differ completely among mining sites. It was found that Galena, taken from certain special sites in Kansas, gave an excessively clear signal output with high volume. This natural Germanium rich variation placed it far above other galena samples in radio-sensitivity. In addition, these crystals visibly differ from Galena taken from other places, having a rare blue green hue.

NEW RADIANCE
When the element "phosphoro" was discovered in 1669, the frightened alchemist Brandt fell down in silent prayer. He is often depicted in this poise at moment of discovery. Fascinated preoccupation with radiant rocks and other related phenomena always re-emerged with each new century. They came with great regularity during the Eighteenth Century, mostly associated with bioluminescent phenomena. Luminous insects, fungi, coral, fish, mushrooms, and so forth. The light they gave was neither eternal, nor radiant. These were again heralded ... but not with the great sense of awe or religious reverence rendered to those first wondrous manifestations.
There were those who grew accustomed with the "disappointing" nature of quests and natural finds. This sad tendency became the "expected outcome" of belief in any kind of visionary artifact. Disappointment and hopelessness was associated with the quest for dream archetypes in material nature. Nevertheless, several significant discoveries continued to overthrow this negative worldview, vindicating those who expect the natural world to surprise them.
A mysterious radiant stone was discovered in Connecticut during the latter 1600's by a Mr. Steele. Living in East Haddam at the time, Mr. Steele discovered a truly marvelous and precious stone, which he claimed visibly, radiated incredible volumes of light. He confided secretly with his landlord, a Mr. Knowlton, that he would soon be able to procure it in secret. He referred to the stone as "the carbuncle", relating that a huge sum of money would be theirs to share if only the secrecy could be maintained until time of disclosure. Mr. Steele seemed to infer that he had found a large deposit of the white material, and this increased the earnest expectations of his landlord.
By night, Mr. Steele brought the "white rounded carbuncle" back to the boarding house under thick covers. Despite the attempt at cloaking the stone, it glowed with an intensely penetrating radiance. In the dark, the light grew to an incredible and anomalous proportion, far exceeding that of sunshine. This material was secreted into the cellar of the house, one "not having any windows". There, Mr. Steele "worked on the material by night", performing chemical operations on the substance.
Despite the thick stonewalls, the light of this stone "shone right through" to the outer meadows. So great was its penetrating strength that the entire house appeared illuminated by fire, being seen at very great distances by curious others. In addition to this mystery, large and continual booming sounds were heard surrounding the stone and the house. Mr. Steele stated that these sounds emanated from the stone. He labored on the stone every night until it was impossible to hide the secret any longer from neighbors. Mr. Knowlton, the landlord, thought it bewitched by Indian sorcery and angrily warned Mr. Steele to cease his evil acts.
Wrapping the carbuncle in sheet lead and taking on a disguised appearance, he fled from the town by sailing ship. Because of the stone's remarkable luminescence and equally powerful thunder, it was impossible to hide the stone. It has been presumed that the sailors, superstitious and frightened of the accursed carbuncle, simply threw him overboard with the object in his grasp. England, Steele's intended destination, was never reached by him. The stone, of course, was lost.
The large mysterious stone was original dug out of a very specific hillside, known by the residents of the area. From descriptions given by the now-late Mr. Steele, a local cleric found the very spot. The cleric is the same gentleman, a man of impeccable character and irreproachable honesty, who wrote the journal from which the tale was derived. He spoke of the existence of the mystery carbuncle as a fact, in greatest confidence.
The cleric said that lightning was frequently drawn into the hillside at that very point, loud booming noises constantly emanating from the place regardless of the weather. The place was also known to the Native Americans, who treated the district as a sacred spot. Puritans believed the place bewitched, and avoided it with great terror. No mention was ever made of the strange substance again.
While sounding completely fanciful, such stones were actually observed in New Guinea by numerous traders who managed to penetrate the high mountains of Mount Wilhemina. These adventurers reported that native villages employed large "balls of stone" to brilliantly light the night darkness. The giant glowing stones were exceedingly bright, resembling "suspended moons". These filled the jungle region with their radiance, giving a surreal quality to the place. The source of the mysterious light found, those of the expedition were completely astounded. Poised high on very large pedestals, the huge white balls of stone glowed with a brilliance equal to that shed by electric lanterns. Their light did not fade with time.
Another such account came through Ion Idriess, a famed Australian writer. Aborigine elders, while recounting island history to him, reported the existence of "the booyas". These were large balls of stone, which glow with an eerie magickal light. Three of these stone "scepters" were known in the area. Poised on tall pedestals of bamboo, the light shed by the booyas was so bright that it enveloped its spectators. Held up toward the sky, the stone flashed with a brilliant cold green light, and was thus "charged". Villages thus illuminated by greenish white brilliance were seen far off at sea.
The diary of a conquistador (Barco Centenera, 1601) told of a similar, if not exact, stone ball lantern. The setting was Paraguay, in the city of Gran Moxo. There he reported discovering a huge stone pedestal, some twenty-four feet in height. This pillar was surmounted by a huge ball of stone, which shone with such brilliance that it illuminated both the lake and the inhabited area.
The English Colonel P.H. Fawcett reported hearing of cities in the same South American jungles whose people employed a similarly strange means for illuminating their night times. These were the very same kinds of cold green balls of stone, poised on very tall stone pedestals. Colonel Fawcett, of utmost integrity, sacrificed his life while seeking the ruins of these lost cities. His qualified opinion was that these places were "contemporary remnants" which retained the forgotten knowledge of ... much older civilizations.
There are those who claim to have retained some portions of these legendary materials. Nicholas Roerich, symbolic master artist, traveled to Mongolia in 1925 after learning from monks of a famed stone, which "fell from Orion". Securing the stone on behalf of the monastery in which it was housed, he claimed to have discovered its amazing mind-expanding qualities. Both Nicholas and Helena Roerich accompanied a fragment of the stone to a neighboring monastery where it was enshrined.
These sacred stones, elements of the first world Nature, were said by him to radiate a sharply defined consciousness. The monks attested to the ability of this stone to "maintain peace and elevate consciousness to all the outlying districts". In these mountainous lands, timeless traditions preserve what centuries of European history would have erased. Could this have been the very stone, which Marco Polo had reported? Was this one of the "magickal stones" employed by Prester John? The couple returned home, encrypting the truth of this remarkable find in a series of mystical books ("On Eastern Crossroads", "Legend of The Stone", Abode of Light").

RADIANT ROCK

During the late Middle Ages, a great variety of remarkable "radiant rocks" were suddenly and unexpectedly discovered. These discoveries emerged from the mountainous regions of Central Europe in continual waves. It was the country folk who found them. Approaching in a timid, childlike wonder they saw the impossible. A powerful and unusual radiance was found emerging through the very rocks of the mountainsides. Light seemed to be streaming out of the hillsides! The brilliant green and blue mineral light was seen among familiar mountain rocks after sundown. As reported, the light was brilliant, far above the brightest light of the full moon.
Most of the first fortunate individuals who made these discoveries were not scholars or craftsmen. Typically, they were shepherds, mountain villagers, pilgrims, and wanderers; the innocents whom angelic hosts historically visit with messages of love. The glowing rocks seemed to be windows on some underground domain. Possibly from unknown cavern worlds beneath! Nights were spent watching the rock radiance in absolute wonderment. The radiance was considered an apparition, a divine event. The light was beautiful, glorious, and unfamiliar. It brought with it the atmosphere of another world.
Here was a new revelation, a new kind of light, which did not come from fire. The rocks gave forth a bright light, bright enough to illuminate the faces of those who stared into them in disbelief. Though shining for hours with no other energy source, this cold rock-light would not die! Those who discovered these strange glowing rocks believed themselves to have been favored by miraculous visitation, answers to fervent requests.
Stories began emerging from different parts of the world concerning these very same radiant rocks. Some of these were given names. Some were associated with the saints. Others were simply named for those who found them, or the place from which they were dug. A few brave souls were not afraid to attempt sampling the find. Unearthed, pieces were brought indoors. Though separated from their parent rock mass, they continued illuminating cabin interiors with their rare and cold radiance. Undying fire. Cold, pure endless light!
Most of the rocks came from familiar regions, yet their radiance was never before seen. Innumerable opportunities existed for the observation of the brilliant and spontaneous radiance. But, why had no one reported such wonders? Had no one ever seen these lights before? The shepherds who frequented those very places had crossed and recrossed their grazing paths for countless centuries. Yet, they had seen nothing unusual. Certainly nothing this noteworthy was ever observed by anyone familiar with the very terrain in which the manifestations had taken place. This equally profound and perplexing mystery now formed additional evidence concerning the radiant rocks, one which surrounded them with an additional and inescapable aura.
It was apparent that these were divinely inspired events, utterly new creations. This was the accompanying awareness, which boosted their fame into public consciousness. Clergy and monastics became enthralled...humbled by the notion that science and theology were not, as most had assumed, separate experiences. Archetype, visionary desire, and natural reality had been brought into material fusion.
The radiant rocks foretold a coming dawn, an Age of Light perhaps! For the people of this time period, the phenomenon was material evidence of the ancient faith. The glory of these special radiant crystals brought about a curious form of devotion. Taken as miraculous signs, each were displayed before persons of both low and high estate. Cathedrals displayed them for the common folk. The rocks were seen as sacred artifacts, befitting the treatment rendered toward relics. Private viewings, accompanied by all the pageantry of liturgical service, were held before the courts of kings.
Here was a new breath of promise, a silent comforting word. In this atmosphere of prayerful silence, the miraculous stones radiated their eerie green or blue light to the wonderment of all who beheld in silent awe. Certain varieties were exceedingly brilliant, some reporting a radiance far above the brilliance of full moonlight. In a few other instances the report of radiant brilliance approaching sunlight was confirmed by credible authorities. Those who worshipfully gazed at these rocks in the silent cathedrals awaited metaphoric answers. It was difficult to imagine that former scholars had separated innervision and external Nature, calling the one "fantasy" and the other "reality".
In the clear light of these wonder rocks there was some powerful sense of a lost innocent world and its wonderful radiant vitality. A new and striking atmosphere seemed to capture all the scholars who approached the brilliant rocks. Gazing into their wondrously bright and seemingly endless radiance, one had the sense that the Divine Presence was mystically shining through "corrupt matter". It was light from death, the complete antithesis of the fire paradigm. Here, the production of light did not require the death of living thing. The light did not emerge through the consumption of fuels, the soul of the green forest. This matter was not "corrupt". This was a rare kind of matter, unknown except for the legends and fables, which accurately described them in every detail.
With each discovery of a new radiant mineral, more proof was added to the ancient belief that Creative Light had not indeed abandoned the world of tears. Where death seemed the ruling power, it was the light of these rare gems, which heralded sweet proof that Divine Love was yet reaching for humanity. Those who both studied and reported their experiences with these radiant rocks certainly knew the comparative illuminating power of candles and bonfires. When they likened the brilliance of these strange rocks to full moonlight or of sunlight, they were neither being scientifically primitive or emotionally excessive.
It is astounding to recount the historical density of such finds during the early Renaissance. Arcane journals and manuscripts contain anecdotes of these discoveries, although found with difficulty in widely scattered fragments. They are the remains of notable past events in the indelible historic record.
Scholarly minds reeled under the dream-impact of possible new technologies. The wonders, which could emerge from the proper implementation of these rocks, would take some time to fully develop. Would these rocks respond to the mind? Would they influence actions without contact? Could they be used to move heavy objects? Could they make one invisible or invincible? It is very significant that those who sought the development of radiant technology used the very archetypes of legend to guide their efforts.
There were those who now ran to the mountains in search of radiant rock. Many new varieties were found, but few gave the rare radiance produced by the original finds. Large crystals of fluorite and barite were torn from mountain scarps. Having been exposed to intense sunlight, each was then methodically taken into dark chambers for examination. In the clutches of secular scholars who sought purely mechanistic explanations, the comparatively weak glow of these rocks also remained incomprehensible. They did not equal those, which had previously been found. Words and logic failed to explain what Nature had revealed.
Late Renaissance science was searching everywhere for more examples of this wondrous rock luminescence. As continual examples of these fluorescent phenomena were found, science could do nothing more than simply collate the evidence. Soon, a large collection of minerals and experiences had been patiently compiled. Yet, none of the forthcoming finds quite equaled those early and spectacular events, which heralded the discovery of the famed radiant rocks of Europe.
Never was such a singularly religious treatment of the phenomenon ever seen again; and it is indeed curious that the radiant intensity of later retrieved rocks, mostly barites and fluorites, did not match those reported during the first spectacular wave of discovery. The original stones surfaced in the courts of various nobles throughout the Renaissance, the coveted possessions of rulers. Their appearance and disappearance followed the rise and fall of their power. It has been impossible to trace the whereabouts of these rare gems whose great radiant intensity was "frightening". Discoveries of natural radiance such as these never made their appearance in Europe.
In the absence of newer reports, these remain inexplicable. Spontaneous sources of light made their appearance throughout the following centuries, but the truly great radiant light sources seemed to have dimmed once more. In this, the scholar is faced with a mystery. What is the reason for their appearance and disappearance down through the centuries?

ETERNAL LANTERNS
Every symbol, artifact, and accessory of the Utopian world emanates light. Transported earthly visitors first remark at this suffusive light. Their host joyously explains that "the light comes from everywhere". This magickal radiance is the light of consciousness itself. Mythologies and histories alike are replete with reports of the "endless light".
The radiant beauty of mythical "eternal lanterns" stimulates and provokes timeless scientific desire. Their endless effulgence remains their single most fascinating aspect. Can such a light source exist in the material world? The mystery of that eternal radiance could neither be compared nor equaled on earth. Firecraft did not reproduce the quality of Utopian ideal radiance. Such eternal light projects joy and wonder. Neither their radiance nor the vivifying thrill ever fade with time.
The image and symbol of the eternal lantern permeates mythology. However separated in distance or time, mythologies the world over each speak of eternal lanterns. The symbol of the eternal lamp is a haunting object, which we most desire. A wordless message of hope and life beam forth, most directly representing divinity.
Believing that eternal lanterns once existed in the fabled world, ancient qualitative science sought them with a deep faith that they could be found. Ancient conquerors made extensive search for eternal lanterns and other such "fabulous" treasures. To locate, recapture, of unearth these lamps provided a formidable conqueror's quest. Likewise, numerous radiant sources were discovered and described by credible naturalists.
As centuries passed, certain scientific artisans claimed that they had successfully reproduced eternal lanterns. According to some bards of the Middle Ages, there were lands where dreams had literally materialized. Kingdoms and rare wonders lay to the east, possessors of magickal technology. Following this trail of legends and marvels came Marco Polo. Among the material proofs, which he brought home to Venice, there were also new legends and reports. Marco Polo told of palaces and kings, kingdoms and artifacts, exotic natural wonders and anomalies. Caravans of archetypes and symbols.
In the city of the great Khan, there were hundreds of fabled rubies, thousands of gold tablets, and millions of standing soldiers. Marco stated very plainly that, in the outlying provinces of the Khan's empire, radiant stones and magickal accessories were commonly employed for a great variety of purposes. He had seen some of these marvels with his own eyes. One particular legend, which he was fond of retelling, is rarely heard or mentioned today. It centered about the fabulous Prester John, mythical King of the East. Prester John sat in a magickal throne room, a great flooding radiance shed by special rare gems. The unearthly light of his throne, an undying light. He employed the radiance of these rare gems to render his throne room sacred, enlightened, vivifying, and quiescent. His knights were continually flooded with strength and love for their cause because of these radiant stones.
Through the agency of special viewing stones, Prester John gained instant knowledge of distant events. Empowered to project peace and benevolence to distant warring lands, he watched and interceded over whole regions through these magickal means. He was able to project help to those lands through rays, which came from his magickal stones. Famines reversed, plagues eradicated, joy restored, Prester John was the protector of nations who did not know him. Prester John ("Pastor John"), the mystically advanced Christian King, is a notable story of Mongol origin. The eternal lantern, one of innumerable archetypes, persists in mythologies the world over.
Marco claimed he had seen black rocks used in Cappadocia to produce light and heat. In parts of the same region, he claimed to have seen "black oils" taken from bubbling earth pits for the same purpose. Scholars rejected everything he had to say when they heard these two reports. Long after his passing, when coal and petroleum were later discovered by Europeans, all the words of Marco Polo were heeded without question. The wonder of eternal radiance, Prester John, and magickal technology continued to occupy human curiosities throughout the following centuries.
All lands and peoples have the eternal lantern in their dream treasuries. Nordic mythology ascribed "eternal lanterns" to the gnomes, who both inherited and manufactured them. The gnomes used their mystical lanterns to light gem-studded subterranean palaces. The lanterns themselves had names, archaically crafted by famed gnome masters. Made of radiant stones, they continuously emanated soft colors and an atmosphere of great delight. The magickal lanterns themselves were fabricated from rare glowing elements and gems.
In fables, mystical eternal lanterns are made of humanly inaccessible minerals and elements. Legends continually remind us that magickal elements and gems have archaic world-origins, remnants of the lost world. Uncorrupted by the touch and taint of mortals, they frame the evidence of a first creation. Their properties, pure and sacredly honored, emerge from the dream world.
Fables teach that all beings naturally seek these materials. Certain beings, gnomes the most frequent species, covet these lanterns with a rare viciousness. The "radiant stones" reveal the first world Nature and all its wonder, the "lost elements" of which the old world was made.
In the fables, the magickal elements are said to yet exist in the deepest recesses of the earth and in special secret mountains. Spiritual prowess is required to both recognize and retrieve the minerals. The "hidden folk" always see what mortals cannot, plucking magick gems and mining magick metals from their archaic repositories with ease. Gnomes, faeries, elves, and angels jealously retain the secret of radiant stones and radiant lanterns. When humans manage to obtain them, there are consequent complications.
The magick elements and radiant stones are always wonderful to all who behold them. Their radiance is divine. Mysterious beings reverence the appearance of the radiant stones. Humanity especially cherishes and desires them. Elves cynically remind us why we have lost both the first world and the wonder elements of which it was made. The wondrous gems and metals invariably come from "forgotten archaic ages". They are "first created matter", "sacred gems", and "starry metals". They are the material of the old world.
Fables report that these wonderful elements come from the times just after the beginning of creation. Having been buried in the angelic rebellions, some remain in the deep recesses of earth. Others, having been thrown among the stars, reside in the stardust, awaiting the time when they may return to bless humanity. They hold the key to human conscious progress, requiring only humility before they may be discovered.
Mystery minerals and radiant gems are often found where natural catastrophism is at work. Radiant stones are loosened from archaic imprisonment by strange events, which the "hidden folk" worriedly pursue. They jealously guard their treasures from "bumbling" humanity. Wonder elements are found in the dearth of volcanic explosions, flung up from mysterious metaphysical depths. Some fall to earth from space, glowing and pulsating. Whether thrown out of earth or space treasuries, they are usually found by adventurous humans whose lives become transformed. What these persons do with their treasure usually determines their fate, a moral lesson concerning the abuse of power.
There are peaceful ways in which the radiant stones are located in some tales. There are those who see magickal glowing pools of water by night. Venturing in, they manage to find the rare "wish-granting" glowing gems. Some only appear during certain astrological seasons, under specific "heavenly signs". They are seen only by sensitives who, with greatest care, find them radiating their light when touched by the crescent moon. Mysterious visitors often add a "pinch" of magick dust into the mixtures of old despondent alchemists. When this alchemical projection has performed its work, the molten metals become joyfully radiant.
"Lost elements" grant their bearers strange abilities and miraculous powers. The abilities they give often require a small exertion of mind, with a resultant magnification of intent. Wearing the radiant gems, one can become invincible or invisible. One can pass through walls. One can fly, lift great weights, bring lightning or storms, and perform unheard superhuman works. These mysterious materials link dreams directly with the world. They are windows through which archetypes flow directly into our world. Wish amplifiers. The very artifacts of Prester John. Magickal technology requires the radiant stones. They are the lost talismans, the lost instrumentalities that guide and extend human consciousness. Radiant stones are the reagents of every lost technology. Those who find them become heroes or villains. The legends tell both of the location and loss of mystery elements. They may be found, granted, or stolen. Each means of obtaining them has its consequences. Magick rings are given to humble recipients by angelic visitors. Mystical necklaces are given in return for humanly kind gestures to children. They are fabulous rewards from gnomes, faeries, and sprites. Little children and humble old folk often accidentally find magickal materials by the deliberate design of "hidden ones". Radiant crystalline jewels are often found by humans who enter unfamiliar glowing caverns and grottoes through accidental circumstance. Wanderers, lost in a storm, find caverns of wonderful radiant treasuries in places they can never relocate.
There are those whose lust for power drives them to acquire the lost elements through evil sorceries. There are mysterious alchemists who stumble on the strange minerals, taking them by night from their "sacred resting place". Working their excessive "treatments and chemical labors" until the magick is released, they often become the terrors of the countryside.
Evil alchemists, betraying the sacred calling, challenge rule and dominion. Working feats of mind magick and enslaving the populace, they portray the dangers associated with the misuse of magickal technology. A hero is usually summoned by a rival good wizard to destroy such evil alchemists. The fabled confrontations always pits magick against magick, the hero having been given an equally great talisman by which to succeed. Love is the key to winning the battle. Love stimulates the radiant gems. Greedy and ruthless hunters steal them from forgotten temples, plucking red glowing gems from the eyes of idols with rude steel knives.
When the "wonder elements" are lost, they are lost through misuse and pride. They are often taken from the wicked by mysterious and protective guardians of humanity. Jealous and hapless fools accidentally drop their radiant stolen prize into wells, seas, burning pools, and crevasses of ice. The magickal elements and radiant stones are often lost just after certain worthy persons have been blessed by their magick. These materials seem impossible for most humans to keep. The loss of the wonder elements is always attended by great sadness and regret. Those who lose them are shunned, their villages fading into a disappointing and lackluster future. In the closing verses of these stories, one is always taught to expect their re-emergence. Hopeful that the rediscovery of lost elements will raise society into a clarified future, there are always promised signs by which we know of their appearance on earth. World conscious revolution always requires the radiant rocks.
These mysterious "lost elements" and "radiant stones" continually emerge from the deepest memories of humanity. Their re-emergence in the social symbolic lexicon is irrepressible. The greatest themes of modern science fiction are all archaic in origin. Their symbols, however updated and modified, have arcane roots. The archetypal image of both the eternal lantern and the magickal elements reappeared with the "Green Lantern" comic book series of the 1930's, where the eternal emerald lantern from another world conferred its power to one who would justly bear the magick ring. Charging the ring by the eternal radiance of the emerald lantern, the ring-bearing knight swears to protect the world from evil. He then learns the secret psychotronic power of the ring.
While the images of Prester John's fabulous courtroom illuminated the minds of those who thrilled to their hearing, a new and unexpected materialization was historically chronicled.
So dramatic an episode in human history, it yet demands a complete bibliomantic examination. There was an instance in time, a true psychosocial event, in which archetype met human desire in material form.

Scalar Electromagnetic Healing

Between two scalar potentials, interferometry is: Interference of the multi-wave sets in hyperspace.
Production of gradients in the 3-space point values.
In the classical (erroneous) postulation, the creation of forces in 3-space.
Force does not exist until the gradient couples to an observable mass.
There are no E-fields and B-fields as such in the massless vacuum, but only potential gradients.
                                                                                        
As previously stated, in 1903 E. T. Whittaker, a well-known mathematical physicist, showed that a scalar potential can be mathematically decomposed into a set of peculiar EM wavepairs in a harmonic set.  (see Figure 12)  These “hidden waves” are longitudinal EM waves, arranged in conjugate pairs with the pairs also arranged in a harmonic set.  In each wavepair, there is an ordinary (forward-time) longitudinal EM wave (outgoing in 3-space from the interacting/observing charge), coupled to its phase conjugate replica (time-reversed twin). 
Rife was not using normal potentials and normal E and H fields—which as we discussed, only apply to observable material entities anyhow and thus could not be used to “see” far below the quantum threshold of least detectable material disturbance.  His entire protocol was to get beyond those “material interception of EM energy” limitations.  Unwittingly, Rife was using vacuum engines—involving structuring of the active vacuum as well as pure general relativity (GR) and pure structurings of spacetime geometry itself.  He was electromagnetically using that part of GR that the GR physicists have mostly only tried to produce by use of the weak gravitational force.   In GR, the ST geometry itself is active, dynamic, energetic, and structuring!  In higher symmetry electrodynamics, the ST geometry itself is powerfully active, dynamic, energetic, and structuring!  It is not at all just a "passive spacetime" as classical electrodynamics assumes.
However, all living systems already use this "infolded" bidirectional, longitudinal wavepair EM in their ongoing living functions .  Just as they used frequency modulation, EM signals, EM oscillations, etc. before we even had an electrodynamics or a physics, living systems do use the infolded EM (and vacuum engines) in all their living functions, and particularly in their cellularregeneration and restoration (R&R) system , as contrasted to their immune system.   The immune system cells are the fighters and the debris scavengers/cleaners.  They go after the hostile invaders, fight them, and usually win—littering the battlefield with the debris.  Then the immune system scavenger cells clean up the residue.
No vaccine, drug, herb, vitamin, or mineral heals the body, although certainly they can enhance or aid the body's healing process.  Each does carry its individual resident vacuum engine, and when absorbed by the cell, this added vacuum engine contributes to the resident vacuum engine in the cell by summing with it.   To restore the damaged cells back to normal (i.e., to heal), the R&R system uses a novel kind of extended electrodynamics with infolded vacuum engines, and it uses a novel kind of optical phase conjugate pumping, in the time domain rather than just 3-space.  The magic “unified field theory” so long sought by scientists, has long been utilized by the regeneration and restoration system of the body in its minute-to-minute and day-to-day healing and restoring actions.
Electrodynamic force fields implicitly define primarily only translation effects upon charges or masses, in their very definitions.  With normal EM, usually one will get reradiation of the absorbed energy, or partial reradiation of the absorbed energy accompanied with recoil of the absorbing mass, or no reradiation but recoil of the mass.