Then now, Thrasymachus, there is no longer any doubt that neither arts nor governments provide for their own interests; but, as we were before saying, they rule and provide for the interests of their subjects who are the weaker and not the stronger—to their good they attend and not to the good of the superior. And this is the reason, my dear Thrasymachus, why, as I was just now saying, no one is willing to govern; because no one likes to take in hand the reformation of evils which are not his concern without remuneration. For, in the execution of his work, and in giving his orders to another, the true artist does not regard his own interest, but always that of his subjects; and therefore in order that rulers may be willing to rule, they must be paid in one of three modes of payment, money, or honour, or a penalty for refusing.
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Krishna. Yea! it was wonderful and terrible To view me as thou didst, dear Prince! The gods Dread and desire continually to view! Yet not by Vedas, nor from sacrifice, Nor penance, nor gift-giving, nor with prayer Shall any so behold, as thou hast seen! Only by fullest service, perfect faith, And uttermost surrender am I known And seen, and entered into, Indian Prince! Who doeth all for Me; who findeth Me In all; adoreth always; loveth all Which I have made, and Me, for Love's sole end That man, Arjuna! unto Me doth wend.
[2] . . . against my will, my fate A throne unsettled, and an infant state, Bid me defend my realms with all my pow’rs, And guard with these severities my shores.
And when the artist is benefited by receiving pay the advantage is gained by an additional use of the art of pay, which is not the art professed by him?
Like moths which in the night Flutter towards a light, Drawn to their fiery doom, flying and dying, So to their death still throng, Blind, dazzled, borne along Ceaselessly, all those multitudes, wild flying!
And we have admitted, I said, that the good of each art is specially confined to the art?
Thy hidden majesty, The might, the awe of Thee; Did, in my heedlessness, or in my love, On journey, or in jest, Or when we lay at rest, Sitting at council, straying in the grove,
“Atque idem fugientem baud est dignatus Oroden Sternere, nec jacta caecum dare cuspide vulnus Obvius, adversoque occurrit, seque viro vir Contulit, haud furto melior, sed fortibus armis.”
In gentleness on me! Good is it I did see This unknown marvel of Thy Form! But fear Mingles with joy! Retake, Dear Lord! for pity's sake Thine earthly shape, which earthly eyes may bear!
From Alexander the Grammarian, to be un-reprovable myself, and not reproachfully to reprehend any man for a barbarism, or a solecism, or any false pronunciation, but dextrously by way of answer, or testimony, or confirmation of the same matter (taking no notice of the word) to utter it as it should have been spoken; or by some other such close and indirect admonition, handsomely and civilly to tell him of it.
Then now, Thrasymachus, there is no longer any doubt that neither arts nor governments provide for their own interests; but, as we were before saying, they rule and provide for the interests of their subjects who are the weaker and not the stronger—to their good they attend and not to the good of the superior. And this is the reason, my dear Thrasymachus, why, as I was just now saying, no one is willing to govern; because no one likes to take in hand the reformation of evils which are not his concern without remuneration. For, in the execution of his work, and in giving his orders to another, the true artist does not regard his own interest, but always that of his subjects; and therefore in order that rulers may be willing to rule, they must be paid in one of three modes of payment, money, or honour, or a penalty for refusing.
The Art of War — Chapter 2: Chapter 2: Waging War
Essays of Montaigne (Book I) — Chapter 14: Chapter 14: That Men Are Justly Punished For Being Obstinate In The Defence
Fierce as those flames which shall Consume, at close of all, Earth, Heaven! Ah me! I see no Earth and Heaven! Thee, Lord of Lords! I see, Thee only-only Thee! Now let Thy mercy unto me be given,
Then, if there be any good which all artists have in common, that is to be attributed to something of which they all have the common use?
Bhagavad Gita (The Song Celestial) — Chapter 3: Chapter 3: Virtue In Work
Valour has its bounds as well as other virtues, which, once transgressed, the next step is into the territories of vice; so that by having too large a proportion of this heroic virtue, unless a man be very perfect in its limits, which upon the confines are very hard to discern, he may very easily unawares run into temerity, obstinacy, and folly. From this consideration it is that we have derived the custom, in times of war, to punish, even with death, those who are obstinate to defend a place that by the rules of war is not tenable; otherwise men would be so confident upon the hope of impunity, that not a henroost but would resist and seek to stop an army.
Krishna. I told thee, blameless Lord! there be two paths Shown to this world; two schools of wisdom.
Arjuna. What is his mark who hath that steadfast heart, Confirmed in holy meditation? How Know we his speech, Kesava? Sits he, moves he Like other men?
Simplicity without a name Is free from all external aim. With no desire, at rest and still, All things go right as of their will. PART II.