Jane’s delicate sense of honour would not allow her to speak to Elizabeth privately of what Lydia had let fall; Elizabeth was glad of it:--till it appeared whether her inquiries would receive any satisfaction, she had rather be without a confidante.
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Clear[187] What cause of fear, &c.
“Off with her head!” the Queen shouted at the top of her voice. Nobody moved.
“I won’t!” said Alice.
“Not that I shall, though,” she added to herself, and she finished the letter; “and, my dear aunt, if you do not tell me in an honourable manner, I shall certainly be reduced to tricks and stratagems to find it out.”
[186] Embattled walls. “Another essential basis of mechanical unity in the poem is the construction of the rampart. This takes place in the seventh book. The reason ascribed for the glaring improbability that the Greeks should have left their camp and fleet unfortified during nine years, in the midst of a hostile country, is a purely poetical one: ‘So long as Achilles fought, the terror of his name sufficed to keep every foe at a distance.’ The disasters consequent on his secession first led to the necessity of other means of protection. Accordingly, in the battles previous to the eighth book, no allusion occurs to a rampart; in all those which follow it forms a prominent feature. Here, then, in the anomaly as in the propriety of the Iliad, the destiny of Achilles, or rather this peculiar crisis of it, forms the pervading bond of connexion to the whole poem.”—Mure, vol. i., p. 257.
“You may readily comprehend,” she added, “what my curiosity must be to know how a person unconnected with any of us, and, comparatively speaking, a stranger to our family, should have been amongst you at such a time. Pray write instantly, and let me understand it--unless it is, for very cogent reasons, to remain in the secrecy which Lydia seems to think necessary; and then I must endeavour to be satisfied with ignorance.”
[185] It was an ancient style of compliment to give a larger portion of food to the conqueror, or person to whom respect was to be shown. See Virg. Æn. viii. 181. Thus Benjamin was honoured with a “double portion.” Gen. xliii. 34.
—Gier. Lib. vi. 51.
But to live in ignorance on such a point was impossible; or at least it was impossible not to try for information. Mr. Darcy had been at her sister’s wedding. It was exactly a scene, and exactly among people, where he had apparently least to do, and least temptation to go. Conjectures as to the meaning of it, rapid and wild, hurried into her brain; but she was satisfied with none. Those that best pleased her, as placing his conduct in the noblest light, seemed most improbable. She could not bear such suspense; and hastily seizing a sheet of paper, wrote a short letter to her aunt, to request an explanation of what Lydia had dropped, if it were compatible with the secrecy which had been intended.
“Hold your tongue!” said the Queen, turning purple.
“Stuff and nonsense!” said Alice loudly. “The idea of having the sentence first!”
[184] “Sete ò guerrieri, incomincio Pindoro, Con pari honor di pari ambo possenti, Dunque cessi la pugna, e non sian rotte Le ragioni, e ’l riposo, e de la notte.”
On such encouragement to ask, Elizabeth was forced to put it out of her power, by running away.
—Carey’s Dante: Hell, v.
“There Mavors stands Grinning with ghastly feature.”
“No, no!” said the Queen. “Sentence first—verdict afterwards.”
“Thank you,” said Lydia; “for if you did, I should certainly tell you all, and then Wickham would be so angry.”
—“Paradise Lost,” ii. 845.
“It’s a pun!” the King added in an offended tone, and everybody laughed, “Let the jury consider their verdict,” the King said, for about the twentieth time that day.