“Forbid it,” proceeded Mr. Cruncher, with additional solemnity, additional slowness, and additional tendency to hold forth and hold out, “as anything wot I have ever said or done should be wisited on my earnest wishes for them poor creeturs now! Forbid it as we shouldn’t all flop (if it was anyways conwenient) to get ’em out o’ this here dismal risk! Forbid it, miss! Wot I say, for-bid it!” This was Mr. Cruncher’s conclusion after a protracted but vain endeavour to find a better one.
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ClearThus to her weeping maids she makes her moan, Her weeping handmaids echo groan for groan.
He looked round and saw the knife that had stabbed Basil Hallward. He had cleaned it many times, till there was no stain left upon it. It was bright, and glistened. As it had killed the painter, so it would kill the painter’s work, and all that that meant. It would kill the past, and when that was dead, he would be free. It would kill this monstrous soul-life, and without its hideous warnings, he would be at peace. He seized the thing, and stabbed the picture with it.
“Good God! what is the matter?” cried he, with more feeling than politeness; then recollecting himself, “I will not detain you a minute; but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough; you cannot go yourself.”
At length the sun rose so high that it struck a kindly ray as of hope or protection, directly down upon the old prisoner’s head. The favour was too much to bear; in an instant the barrier of dust and chaff that had stood surprisingly long, went to the winds, and Saint Antoine had got him!
“There, there, there! I hope she is, my dear man,” cried the distracted Miss Pross, “and I hope she finds it answering her expectations.”
First to the corse the weeping consort flew; Around his neck her milk-white arms she threw, “And oh, my Hector! Oh, my lord! (she cries) Snatch’d in thy bloom from these desiring eyes! Thou to the dismal realms for ever gone! And I abandon’d, desolate, alone! An only son, once comfort of our pains, Sad product now of hapless love, remains! Never to manly age that son shall rise, Or with increasing graces glad my eyes: For Ilion now (her great defender slain) Shall sink a smoking ruin on the plain. Who now protects her wives with guardian care? Who saves her infants from the rage of war? Now hostile fleets must waft those infants o’er (Those wives must wait them) to a foreign shore: Thou too, my son, to barbarous climes shall go, The sad companion of thy mother’s woe; Driven hence a slave before the victor’s sword Condemn’d to toil for some inhuman lord: Or else some Greek whose father press’d the plain, Or son, or brother, by great Hector slain, In Hector’s blood his vengeance shall enjoy, And hurl thee headlong from the towers of Troy.[297] For thy stern father never spared a foe: Thence all these tears, and all this scene of woe! Thence many evils his sad parents bore, His parents many, but his consort more. Why gav’st thou not to me thy dying hand? And why received not I thy last command? Some word thou would’st have spoke, which, sadly dear, My soul might keep, or utter with a tear; Which never, never could be lost in air, Fix’d in my heart, and oft repeated there!”
But this murder—was it to dog him all his life? Was he always to be burdened by his past? Was he really to confess? Never. There was only one bit of evidence left against him. The picture itself—that was evidence. He would destroy it. Why had he kept it so long? Once it had given him pleasure to watch it changing and growing old. Of late he had felt no such pleasure. It had kept him awake at night. When he had been away, he had been filled with terror lest other eyes should look upon it. It had brought melancholy across his passions. Its mere memory had marred many moments of joy. It had been like conscience to him. Yes, it had been conscience. He would destroy it.
“Oh! where, where is my uncle?” cried Elizabeth, darting from her seat as she finished the letter, in eagerness to follow him, without losing a moment of the time so precious; but as she reached the door, it was opened by a servant, and Mr. Darcy appeared. Her pale face and impetuous manner made him start, and before he could recover himself enough to speak, she, in whose mind every idea was superseded by Lydia’s situation, hastily exclaimed, “I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment on business that cannot be delayed; I have not an instant to lose.”
The people immediately behind Madame Defarge, explaining the cause of her satisfaction to those behind them, and those again explaining to others, and those to others, the neighbouring streets resounded with the clapping of hands. Similarly, during two or three hours of drawl, and the winnowing of many bushels of words, Madame Defarge’s frequent expressions of impatience were taken up, with marvellous quickness, at a distance: the more readily, because certain men who had by some wonderful exercise of agility climbed up the external architecture to look in from the windows, knew Madame Defarge well, and acted as a telegraph between her and the crowd outside the building.
“I go so far as to say, miss, moreover,” proceeded Mr. Cruncher, with a most alarming tendency to hold forth as from a pulpit--“and let my words be took down and took to Mrs. Cruncher through yourself--that wot my opinions respectin’ flopping has undergone a change, and that wot I only hope with all my heart as Mrs. Cruncher may be a flopping at the present time.”
The waves of people at his word divide, Slow rolls the chariot through the following tide; Even to the palace the sad pomp they wait: They weep, and place him on the bed of state. A melancholy choir attend around, With plaintive sighs, and music’s solemn sound: Alternately they sing, alternate flow The obedient tears, melodious in their woe. While deeper sorrows groan from each full heart, And nature speaks at every pause of art.
He went in quietly, locking the door behind him, as was his custom, and dragged the purple hanging from the portrait. A cry of pain and indignation broke from him. He could see no change, save that in the eyes there was a look of cunning and in the mouth the curved wrinkle of the hypocrite. The thing was still loathsome—more loathsome, if possible, than before—and the scarlet dew that spotted the hand seemed brighter, and more like blood newly spilled. Then he trembled. Had it been merely vanity that had made him do his one good deed? Or the desire for a new sensation, as Lord Henry had hinted, with his mocking laugh? Or that passion to act a part that sometimes makes us do things finer than we are ourselves? Or, perhaps, all these? And why was the red stain larger than it had been? It seemed to have crept like a horrible disease over the wrinkled fingers. There was blood on the painted feet, as though the thing had dripped—blood even on the hand that had not held the knife. Confess? Did it mean that he was to confess? To give himself up and be put to death? He laughed. He felt that the idea was monstrous. Besides, even if he did confess, who would believe him? There was no trace of the murdered man anywhere. Everything belonging to him had been destroyed. He himself had burned what had been below-stairs. The world would simply say that he was mad. They would shut him up if he persisted in his story.... Yet it was his duty to confess, to suffer public shame, and to make public atonement. There was a God who called upon men to tell their sins to earth as well as to heaven. Nothing that he could do would cleanse him till he had told his own sin. His sin? He shrugged his shoulders. The death of Basil Hallward seemed very little to him. He was thinking of Hetty Merton. For it was an unjust mirror, this mirror of his soul that he was looking at. Vanity? Curiosity? Hypocrisy? Had there been nothing more in his renunciation than that? There had been something more.
“See!” cried madame, pointing with her knife. “See the old villain bound with ropes. That was well done to tie a bunch of grass upon his back. Ha, ha! That was well done. Let him eat it now!” Madame put her knife under her arm, and clapped her hands as at a play.
“Whatever housekeeping arrangement that may be,” said Miss Pross, striving to dry her eyes and compose herself, “I have no doubt it is best that Mrs. Cruncher should have it entirely under her own superintendence.--O my poor darlings!”
“By this time, my dearest sister, you have received my hurried letter; I wish this may be more intelligible, but though not confined for time, my head is so bewildered that I cannot answer for being coherent. Dearest Lizzy, I hardly know what I would write, but I have bad news for you, and it cannot be delayed. Imprudent as a marriage between Mr. Wickham and our poor Lydia would be, we are now anxious to be assured it has taken place, for there is but too much reason to fear they are not gone to Scotland. Colonel Forster came yesterday, having left Brighton the day before, not many hours after the express. Though Lydia’s short letter to Mrs. F. gave them to understand that they were going to Gretna Green, something was dropped by Denny expressing his belief that W. never intended to go there, or to marry Lydia at all, which was repeated to Colonel F., who, instantly taking the alarm, set off from B., intending to trace their route. He did trace them easily to Clapham, but no farther; for on entering that place, they removed into a hackney-coach, and dismissed the chaise that brought them from Epsom. All that is known after this is, that they were seen to continue the London road. I know not what to think. After making every possible inquiry on that side of London, Colonel F. came on into Hertfordshire, anxiously renewing them at all the turnpikes, and at the inns in Barnet and Hatfield, but without any success,--no such people had been seen to pass through. With the kindest concern he came on to Longbourn, and broke his apprehensions to us in a manner most creditable to his heart. I am sincerely grieved for him and Mrs. F.; but no one can throw any blame on them. Our distress, my dear Lizzy, is very great. My father and mother believe the worst, but I cannot think so ill of him.
In thronging crowds they issue to the plains; Nor man nor woman in the walls remains; In every face the self-same grief is shown; And Troy sends forth one universal groan. At Scæa’s gates they meet the mourning wain, Hang on the wheels, and grovel round the slain. The wife and mother, frantic with despair, Kiss his pale cheek, and rend their scatter’d hair: Thus wildly wailing, at the gates they lay; And there had sigh’d and sorrow’d out the day; But godlike Priam from the chariot rose: “Forbear (he cried) this violence of woes; First to the palace let the car proceed, Then pour your boundless sorrows o’er the dead.”
He took the lamp from the table and crept upstairs. As he unbarred the door, a smile of joy flitted across his strangely young-looking face and lingered for a moment about his lips. Yes, he would be good, and the hideous thing that he had hidden away would no longer be a terror to him. He felt as if the load had been lifted from him already.
“No, miss,” returned Jerry, “it shall not be named to you. Second: them poor things well out o’ this, and never no more will I interfere with Mrs. Cruncher’s flopping, never no more!”
Without allowing herself time for consideration, and scarcely knowing what she felt, Elizabeth, on finishing this letter, instantly seized the other, and opening it with the utmost impatience, read as follows: it had been written a day later than the conclusion of the first.