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1HZJGW…vxqP Key
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Into his handsome face, the bitter waters of captivity had worn; but, he covered up their tracks with a determination so strong, that he held the mastery of them even in his sleep. A more remarkable face in its quiet, resolute, and guarded struggle with an unseen assailant, was not to be beheld in all the wide dominions of sleep, that night.

1BhB7a…zvxE Key
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“That’s well. I have known such energy as yours do great things before now--though never,” he added, with a smile and a sigh together, “such great things as this. But try! Of little worth as life is when we misuse it, it is worth that effort. It would cost nothing to lay down if it were not.”

1H5uPR…JDhr Key
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[82] [ This line exists in the text here but not in the corresponding passage xii. 141. I am inclined to think it is interpolated (probably by the poetess herself) from the first of lines xi. 115-137, which I can hardly doubt were added by the writer when the scheme of the work was enlarged and altered. See “The Authoress of the Odyssey” pp. 254-255.]

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“Wet the line! wet the line!” cried Stubb to the tub oarsman (him seated by the tub) who, snatching off his hat, dashed sea-water into it.* More turns were taken, so that the line began holding its place. The boat now flew through the boiling water like a shark all fins. Stubb and Tashtego here changed places—stem for stern—a staggering business truly in that rocking commotion.

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All things, however, were in their places; all was quiet; and he lay asleep, his white hair picturesque on the untroubled pillow, and his hands lying quiet on the coverlet. She put her needless candle in the shadow at a distance, crept up to his bed, and put her lips to his; then, leaned over him, and looked at him.

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[81] [ This line is enclosed in brackets in the received text, and is omitted (with note) by Messrs. Butcher & Lang. But lines enclosed in brackets are almost always genuine; all that brackets mean is that the bracketed passage puzzled some early editor, who nevertheless found it too well established in the text to venture on omitting it. In the present case the line bracketed is the very last which a full-grown male editor would be likely to interpolate. It is safer to infer that the writer, a young woman, not knowing or caring at which end of the ship the rudder should be, determined to make sure by placing it at both ends, which we shall find she presently does by repeating it (line 340) at the stern of the ship. As for the two rocks thrown, the first I take to be the Asinelli, see map facing p. 80. The second I see as the two contiguous islands of the Formiche, which are treated as one, see map facing p. 108. The Asinelli is an island shaped like a boat, and pointing to the island of Favognana. I think the authoress’s compatriots, who probably did not like her much better that she did them, jeered at the absurdity of Ulysses’ conduct, and saw the Asinelli or “donkeys,” not as the rock thrown by Polyphemus, but as the boat itself containing Ulysses and his men.]

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“Ka-la! Koo-loo!” howled Queequeg, as if smacking his lips over a mouthful of Grenadier’s steak. And thus with oars and yells the keels cut the sea. Meanwhile, Stubb retaining his place in the van, still encouraged his men to the onset, all the while puffing the smoke from his mouth. Like desperadoes they tugged and they strained, till the welcome cry was heard—“Stand up, Tashtego!—give it to him!” The harpoon was hurled. “Stern all!” The oarsmen backed water; the same moment something went hot and hissing along every one of their wrists. It was the magical line. An instant before, Stubb had swiftly caught two additional turns with it round the loggerhead, whence, by reason of its increased rapid circlings, a hempen blue smoke now jetted up and mingled with the steady fumes from his pipe. As the line passed round and round the loggerhead; so also, just before reaching that point, it blisteringly passed through and through both of Stubb’s hands, from which the hand-cloths, or squares of quilted canvas sometimes worn at these times, had accidentally dropped. It was like holding an enemy’s sharp two-edged sword by the blade, and that enemy all the time striving to wrest it out of your clutch.

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