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While now the fated Pequod had been so long afloat this voyage, the log and line had but very seldom been in use. Owing to a confident reliance upon other means of determining the vessel’s place, some merchantmen, and many whalemen, especially when cruising, wholly neglect to heave the log; though at the same time, and frequently more for form’s sake than anything else, regularly putting down upon the customary slate the course steered by the ship, as well as the presumed average rate of progression every hour. It had been thus with the Pequod. The wooden reel and angular log attached hung, long untouched, just beneath the railing of the after bulwarks. Rains and spray had damped it; sun and wind had warped it; all the elements had combined to rot a thing that hung so idly. But heedless of all this, his mood seized Ahab, as he happened to glance upon the reel, not many hours after the magnet scene, and he remembered how his quadrant was no more, and recalled his frantic oath about the level log and line. The ship was sailing plungingly; astern the billows rolled in riots.

Next, ripe in yellow gold, a vineyard shines, Bent with the ponderous harvest of its vines; A deeper dye the dangling clusters show, And curl’d on silver props, in order glow: A darker metal mix’d intrench’d the place; And pales of glittering tin the inclosure grace. To this, one pathway gently winding leads, Where march a train with baskets on their heads, (Fair maids and blooming youths,) that smiling bear The purple product of the autumnal year. To these a youth awakes the warbling strings, Whose tender lay the fate of Linus sings; In measured dance behind him move the train, Tune soft the voice, and answer to the strain.

After a little time he heard steps in the passage and the chain being unhooked. The door opened quietly, and he went in without saying a word to the squat misshapen figure that flattened itself into the shadow as he passed. At the end of the hall hung a tattered green curtain that swayed and shook in the gusty wind which had followed him in from the street. He dragged it aside and entered a long low room which looked as if it had once been a third-rate dancing-saloon. Shrill flaring gas-jets, dulled and distorted in the fly-blown mirrors that faced them, were ranged round the walls. Greasy reflectors of ribbed tin backed them, making quivering disks of light. The floor was covered with ochre-coloured sawdust, trampled here and there into mud, and stained with dark rings of spilled liquor. Some Malays were crouching by a little charcoal stove, playing with bone counters and showing their white teeth as they chattered. In one corner, with his head buried in his arms, a sailor sprawled over a table, and by the tawdrily painted bar that ran across one complete side stood two haggard women, mocking an old man who was brushing the sleeves of his coat with an expression of disgust. “He thinks he’s got red ants on him,” laughed one of them, as Dorian passed by. The man looked at her in terror and began to whimper.

Another field rose high with waving grain; With bended sickles stand the reaper train: Here stretched in ranks the levell’d swarths are found, Sheaves heap’d on sheaves here thicken up the ground. With sweeping stroke the mowers strow the lands; The gatherers follow, and collect in bands; And last the children, in whose arms are borne (Too short to gripe them) the brown sheaves of corn. The rustic monarch of the field descries, With silent glee, the heaps around him rise. A ready banquet on the turf is laid, Beneath an ample oak’s expanded shade. The victim ox the sturdy youth prepare; The reaper’s due repast, the woman’s care.