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But go to the old Galleries, and look now at a great Christian painter’s portrait of this fish; for he succeeds no better than the antediluvian Hindoo. It is Guido’s picture of Perseus rescuing Andromeda from the sea-monster or whale. Where did Guido get the model of such a strange creature as that? Nor does Hogarth, in painting the same scene in his own “Perseus Descending,” make out one whit better. The huge corpulence of that Hogarthian monster undulates on the surface, scarcely drawing one inch of water. It has a sort of howdah on its back, and its distended tusked mouth into which the billows are rolling, might be taken for the Traitors’ Gate leading from the Thames by water into the Tower. Then, there are the Prodromus whales of old Scotch Sibbald, and Jonah’s whale, as depicted in the prints of old Bibles and the cuts of old primers. What shall be said of these? As for the book-binder’s whale winding like a vine-stalk round the stock of a descending anchor—as stamped and gilded on the backs and title-pages of many books both old and new—that is a very picturesque but purely fabulous creature, imitated, I take it, from the like figures on antique vases. Though universally denominated a dolphin, I nevertheless call this book-binder’s fish an attempt at a whale; because it was so intended when the device was first introduced. It was introduced by an old Italian publisher somewhere about the 15th century, during the Revival of Learning; and in those days, and even down to a comparatively late period, dolphins were popularly supposed to be a species of the Leviathan.

And now the Greeks from furious Hector’s force, Urge to broad Hellespont their headlong course; Nor yet their chiefs Patroclus’ body bore Safe through the tempest to the tented shore. The horse, the foot, with equal fury join’d, Pour’d on the rear, and thunder’d close behind: And like a flame through fields of ripen’d corn, The rage of Hector o’er the ranks was borne. Thrice the slain hero by the foot he drew; Thrice to the skies the Trojan clamours flew: As oft the Ajaces his assault sustain; But check’d, he turns; repuls’d, attacks again. With fiercer shouts his lingering troops he fires, Nor yields a step, nor from his post retires: So watchful shepherds strive to force, in vain, The hungry lion from a carcase slain. Even yet Patroclus had he borne away, And all the glories of the extended day, Had not high Juno from the realms of air, Secret, despatch’d her trusty messenger. The various goddess of the showery bow, Shot in a whirlwind to the shore below; To great Achilles at his ships she came, And thus began the many-colour’d dame:

“To Jane herself,” she exclaimed, “there could be no possibility of objection,--all loveliness and goodness as she is! Her understanding excellent, her mind improved, and her manners captivating. Neither could anything be urged against my father, who, though with some peculiarities, has abilities which Mr. Darcy himself need not disdain, and respectability which he will probably never reach.” When she thought of her mother, indeed, her confidence gave way a little; but she would not allow that any objections there had material weight with Mr. Darcy, whose pride, she was convinced, would receive a deeper wound from the want of importance in his friend’s connections than from their want of sense; and she was quite decided, at last, that he had been partly governed by this worst kind of pride, and partly by the wish of retaining Mr. Bingley for his sister.

Now, by all odds, the most ancient extant portrait anyways purporting to be the whale’s, is to be found in the famous cavern-pagoda of Elephanta, in India. The Brahmins maintain that in the almost endless sculptures of that immemorial pagoda, all the trades and pursuits, every conceivable avocation of man, were prefigured ages before any of them actually came into being. No wonder then, that in some sort our noble profession of whaling should have been there shadowed forth. The Hindoo whale referred to, occurs in a separate department of the wall, depicting the incarnation of Vishnu in the form of leviathan, learnedly known as the Matse Avatar. But though this sculpture is half man and half whale, so as only to give the tail of the latter, yet that small section of him is all wrong. It looks more like the tapering tail of an anaconda, than the broad palms of the true whale’s majestic flukes.