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Walking the deck with quick, side-lunging strides, Ahab commanded the t’gallant sails and royals to be set, and every stunsail spread. The best man in the ship must take the helm. Then, with every mast-head manned, the piled-up craft rolled down before the wind. The strange, upheaving, lifting tendency of the taffrail breeze filling the hollows of so many sails, made the buoyant, hovering deck to feel like air beneath the feet; while still she rushed along, as if two antagonistic influences were struggling in her—one to mount direct to heaven, the other to drive yawingly to some horizontal goal. And had you watched Ahab’s face that night, you would have thought that in him also two different things were warring. While his one live leg made lively echoes along the deck, every stroke of his dead limb sounded like a coffin-tap. On life and death this old man walked. But though the ship so swiftly sped, and though from every eye, like arrows, the eager glances shot, yet the silvery jet was no more seen that night. Every sailor swore he saw it once, but not a second time.

Then to the leader of the Lycian band The dying chief address’d his last command; “Glaucus, be bold; thy task be first to dare The glorious dangers of destructive war, To lead my troops, to combat at their head, Incite the living, and supply the dead. Tell them, I charged them with my latest breath Not unrevenged to bear Sarpedon’s death. What grief, what shame, must Glaucus undergo, If these spoil’d arms adorn a Grecian foe! Then as a friend, and as a warrior fight; Defend my body, conquer in my right: That, taught by great examples, all may try Like thee to vanquish, or like me to die.” He ceased; the Fates suppress’d his labouring breath, And his eyes darken’d with the shades of death. The insulting victor with disdain bestrode The prostrate prince, and on his bosom trod; Then drew the weapon from his panting heart, The reeking fibres clinging to the dart; From the wide wound gush’d out a stream of blood, And the soul issued in the purple flood. His flying steeds the Myrmidons detain, Unguided now, their mighty master slain. All-impotent of aid, transfix’d with grief, Unhappy Glaucus heard the dying chief: His painful arm, yet useless with the smart Inflicted late by Teucer’s deadly dart, Supported on his better hand he stay’d: To Phœbus then (’twas all he could) he pray’d:

It was while gliding through these latter waters that one serene and moonlight night, when all the waves rolled by like scrolls of silver; and, by their soft, suffusing seethings, made what seemed a silvery silence, not a solitude; on such a silent night a silvery jet was seen far in advance of the white bubbles at the bow. Lit up by the moon, it looked celestial; seemed some plumed and glittering god uprising from the sea. Fedallah first descried this jet. For of these moonlight nights, it was his wont to mount to the main-mast head, and stand a look-out there, with the same precision as if it had been day. And yet, though herds of whales were seen by night, not one whaleman in a hundred would venture a lowering for them. You may think with what emotions, then, the seamen beheld this old Oriental perched aloft at such unusual hours; his turban and the moon, companions in one sky. But when, after spending his uniform interval there for several successive nights without uttering a single sound; when, after all this silence, his unearthly voice was heard announcing that silvery, moon-lit jet, every reclining mariner started to his feet as if some winged spirit had lighted in the rigging, and hailed the mortal crew. “There she blows!” Had the trump of judgment blown, they could not have quivered more; yet still they felt no terror; rather pleasure. For though it was a most unwonted hour, yet so impressive was the cry, and so deliriously exciting, that almost every soul on board instinctively desired a lowering.

“Aye, blacksmith, it is the one; aye, man, it is unsmoothable; for though thou only see’st it here in my flesh, it has worked down into the bone of my skull—that is all wrinkles! But, away with child’s play; no more gaffs and pikes to-day. Look ye here!” jingling the leathern bag, as if it were full of gold coins. “I, too, want a harpoon made; one that a thousand yoke of fiends could not part, Perth; something that will stick in a whale like his own fin-bone. There’s the stuff,” flinging the pouch upon the anvil. “Look ye, blacksmith, these are the gathered nail-stubbs of the steel shoes of racing horses.”

When he had stretched himself on the sofa, he looked at the title-page of the book. It was Gautier’s “Émaux et Camées”, Charpentier’s Japanese-paper edition, with the Jacquemart etching. The binding was of citron-green leather, with a design of gilt trellis-work and dotted pomegranates. It had been given to him by Adrian Singleton. As he turned over the pages, his eye fell on the poem about the hand of Lacenaire, the cold yellow hand “du supplice encore mal lavée,” with its downy red hairs and its “doigts de faune.” He glanced at his own white taper fingers, shuddering slightly in spite of himself, and passed on, till he came to those lovely stanzas upon Venice: