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Then she—“I haste to those remote abodes Where the great parents of the deathless gods, The reverend Ocean and gray Tethys, reign, On the last limits of the land and main. I visit these, to whose indulgent cares I owe the nursing of my tender years: For strife, I hear, has made that union cease Which held so long that ancient pair in peace. The steeds, prepared my chariot to convey O’er earth and seas, and through the aerial way, Wait under Ide: of thy superior power To ask consent, I leave the Olympian bower; Nor seek, unknown to thee, the sacred cells Deep under seas, where hoary Ocean dwells.”

“I do not blame Jane,” she continued, “for Jane would have got Mr. Bingley if she could. But, Lizzy! Oh, sister! it is very hard to think that she might have been Mr. Collins’s wife by this time, had not it been for her own perverseness. He made her an offer in this very room, and she refused him. The consequence of it is, that Lady Lucas will have a daughter married before I have, and that Longbourn estate is just as much entailed as ever. The Lucases are very artful people, indeed, sister. They are all for what they can get. I am sorry to say it of them, but so it is. It makes me very nervous and poorly, to be thwarted so in my own family, and to have neighbours who think of themselves before anybody else. However, your coming just at this time is the greatest of comforts, and I am very glad to hear what you tell us of long sleeves.”

And so, for a whole year, he sought to accumulate the most exquisite specimens that he could find of textile and embroidered work, getting the dainty Delhi muslins, finely wrought with gold-thread palmates and stitched over with iridescent beetles’ wings; the Dacca gauzes, that from their transparency are known in the East as “woven air,” and “running water,” and “evening dew”; strange figured cloths from Java; elaborate yellow Chinese hangings; books bound in tawny satins or fair blue silks and wrought with fleurs-de-lis, birds and images; veils of lacis worked in Hungary point; Sicilian brocades and stiff Spanish velvets; Georgian work, with its gilt coins, and Japanese Foukousas, with their green-toned golds and their marvellously plumaged birds.

Ere entering upon the subject of Fossil Whales, I present my credentials as a geologist, by stating that in my miscellaneous time I have been a stone-mason, and also a great digger of ditches, canals and wells, wine-vaults, cellars, and cisterns of all sorts. Likewise, by way of preliminary, I desire to remind the reader, that while in the earlier geological strata there are found the fossils of monsters now almost completely extinct; the subsequent relics discovered in what are called the Tertiary formations seem the connecting, or at any rate intercepted links, between the antichronical creatures, and those whose remote posterity are said to have entered the Ark; all the Fossil Whales hitherto discovered belong to the Tertiary period, which is the last preceding the superficial formations. And though none of them precisely answer to any known species of the present time, they are yet sufficiently akin to them in general respects, to justify their taking rank as Cetacean fossils.

“I am not surprised, my dear mother, at your displeasure,” replied Telemachus, “I understand all about it and know when things are not as they should be, which I could not do when I was younger; I cannot, however, behave with perfect propriety at all times. First one and then another of these wicked people here keeps driving me out of my mind, and I have no one to stand by me. After all, however, this fight between Irus and the stranger did not turn out as the suitors meant it to do, for the stranger got the best of it. I wish Father Jove, Minerva, and Apollo would break the neck of every one of these wooers of yours, some inside the house and some out; and I wish they might all be as limp as Irus is over yonder in the gate of the outer court. See how he nods his head like a drunken man; he has had such a thrashing that he cannot stand on his feet nor get back to his home, wherever that may be, for he has no strength left in him.”

You have read this strange and terrific story, Margaret; and do you not feel your blood congeal with horror, like that which even now curdles mine? Sometimes, seized with sudden agony, he could not continue his tale; at others, his voice broken, yet piercing, uttered with difficulty the words so replete with anguish. His fine and lovely eyes were now lighted up with indignation, now subdued to downcast sorrow and quenched in infinite wretchedness. Sometimes he commanded his countenance and tones and related the most horrible incidents with a tranquil voice, suppressing every mark of agitation; then, like a volcano bursting forth, his face would suddenly change to an expression of the wildest rage as he shrieked out imprecations on his persecutor.

Then he turned his attention to embroideries and to the tapestries that performed the office of frescoes in the chill rooms of the northern nations of Europe. As he investigated the subject—and he always had an extraordinary faculty of becoming absolutely absorbed for the moment in whatever he took up—he was almost saddened by the reflection of the ruin that time brought on beautiful and wonderful things. He, at any rate, had escaped that. Summer followed summer, and the yellow jonquils bloomed and died many times, and nights of horror repeated the story of their shame, but he was unchanged. No winter marred his face or stained his flowerlike bloom. How different it was with material things! Where had they passed to? Where was the great crocus-coloured robe, on which the gods fought against the giants, that had been worked by brown girls for the pleasure of Athena? Where the huge velarium that Nero had stretched across the Colosseum at Rome, that Titan sail of purple on which was represented the starry sky, and Apollo driving a chariot drawn by white, gilt-reined steeds? He longed to see the curious table-napkins wrought for the Priest of the Sun, on which were displayed all the dainties and viands that could be wanted for a feast; the mortuary cloth of King Chilperic, with its three hundred golden bees; the fantastic robes that excited the indignation of the Bishop of Pontus and were figured with “lions, panthers, bears, dogs, forests, rocks, hunters—all, in fact, that a painter can copy from nature”; and the coat that Charles of Orleans once wore, on the sleeves of which were embroidered the verses of a song beginning “Madame, je suis tout joyeux,” the musical accompaniment of the words being wrought in gold thread, and each note, of square shape in those days, formed with four pearls.

“Telemachus,” said she, addressing her son, “I fear you are no longer so discreet and well conducted as you used to be. When you were younger you had a greater sense of propriety; now, however, that you are grown up, though a stranger to look at you would take you for the son of a well to do father as far as size and good looks go, your conduct is by no means what it should be. What is all this disturbance that has been going on, and how came you to allow a stranger to be so disgracefully ill-treated? What would have happened if he had suffered serious injury while a suppliant in our house? Surely this would have been very discreditable to you.”

One often hears of writers that rise and swell with their subject, though it may seem but an ordinary one. How, then, with me, writing of this Leviathan? Unconsciously my chirography expands into placard capitals. Give me a condor’s quill! Give me Vesuvius’ crater for an inkstand! Friends, hold my arms! For in the mere act of penning my thoughts of this Leviathan, they weary me, and make me faint with their outreaching comprehensiveness of sweep, as if to include the whole circle of the sciences, and all the generations of whales, and men, and mastodons, past, present, and to come, with all the revolving panoramas of empire on earth, and throughout the whole universe, not excluding its suburbs. Such, and so magnifying, is the virtue of a large and liberal theme! We expand to its bulk. To produce a mighty book, you must choose a mighty theme. No great and enduring volume can ever be written on the flea, though many there be who have tried it.