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“I see you did. Don’t speak. Wait till you hear what I have to say. Dorian, from the moment I met you, your personality had the most extraordinary influence over me. I was dominated, soul, brain, and power, by you. You became to me the visible incarnation of that unseen ideal whose memory haunts us artists like an exquisite dream. I worshipped you. I grew jealous of every one to whom you spoke. I wanted to have you all to myself. I was only happy when I was with you. When you were away from me, you were still present in my art.... Of course, I never let you know anything about this. It would have been impossible. You would not have understood it. I hardly understood it myself. I only knew that I had seen perfection face to face, and that the world had become wonderful to my eyes—too wonderful, perhaps, for in such mad worships there is peril, the peril of losing them, no less than the peril of keeping them.... Weeks and weeks went on, and I grew more and more absorbed in you. Then came a new development. I had drawn you as Paris in dainty armour, and as Adonis with huntsman’s cloak and polished boar-spear. Crowned with heavy lotus-blossoms you had sat on the prow of Adrian’s barge, gazing across the green turbid Nile. You had leaned over the still pool of some Greek woodland and seen in the water’s silent silver the marvel of your own face. And it had all been what art should be—unconscious, ideal, and remote. One day, a fatal day I sometimes think, I determined to paint a wonderful portrait of you as you actually are, not in the costume of dead ages, but in your own dress and in your own time. Whether it was the realism of the method, or the mere wonder of your own personality, thus directly presented to me without mist or veil, I cannot tell. But I know that as I worked at it, every flake and film of colour seemed to me to reveal my secret. I grew afraid that others would know of my idolatry.

Already has it been related how the great leviathan is afar off descried from the mast-head; how he is chased over the watery moors, and slaughtered in the valleys of the deep; how he is then towed alongside and beheaded; and how (on the principle which entitled the headsman of old to the garments in which the beheaded was killed) his great padded surtout becomes the property of his executioner; how, in due time, he is condemned to the pots, and, like Shadrach, Meshach, and Abednego, his spermaceti, oil, and bone pass unscathed through the fire;—but now it remains to conclude the last chapter of this part of the description by rehearsing—singing, if I may—the romantic proceeding of decanting off his oil into the casks and striking them down into the hold, where once again leviathan returns to his native profundities, sliding along beneath the surface as before; but, alas! never more to rise and blow.

High on the walls appear’d the Lycian powers, Like some black tempest gathering round the towers: The Greeks, oppress’d, their utmost force unite, Prepared to labour in the unequal fight: The war renews, mix’d shouts and groans arise; Tumultuous clamour mounts, and thickens in the skies. Fierce Ajax first the advancing host invades, And sends the brave Epicles to the shades, Sarpedon’s friend. Across the warrior’s way, Rent from the walls, a rocky fragment lay; In modern ages not the strongest swain Could heave the unwieldy burden from the plain: He poised, and swung it round; then toss’d on high, It flew with force, and labour’d up the sky; Full on the Lycian’s helmet thundering down, The ponderous ruin crush’d his batter’d crown. As skilful divers from some airy steep Headlong descend, and shoot into the deep, So falls Epicles; then in groans expires, And murmuring to the shades the soul retires.

Ha! ha! ha! ha! hem! clear my throat!—I’ve been thinking over it ever since, and that ha, ha’s the final consequence. Why so? Because a laugh’s the wisest, easiest answer to all that’s queer; and come what will, one comfort’s always left—that unfailing comfort is, it’s all predestinated. I heard not all his talk with Starbuck; but to my poor eye Starbuck then looked something as I the other evening felt. Be sure the old Mogul has fixed him, too. I twigged it, knew it; had had the gift, might readily have prophesied it—for when I clapped my eye upon his skull I saw it. Well, Stubb, wise Stubb—that’s my title—well, Stubb, what of it, Stubb? Here’s a carcase. I know not all that may be coming, but be it what it will, I’ll go to it laughing. Such a waggish leering as lurks in all your horribles! I feel funny. Fa, la! lirra, skirra! What’s my juicy little pear at home doing now? Crying its eyes out?—Giving a party to the last arrived harpooneers, I dare say, gay as a frigate’s pennant, and so am I—fa, la! lirra, skirra! Oh—