As he held her to his heart and turned her beautiful head between his face and the brawling crowd, so that his tears and her lips might come together unseen, a few of the people fell to dancing. Instantly, all the rest fell to dancing, and the courtyard overflowed with the Carmagnole. Then, they elevated into the vacant chair a young woman from the crowd to be carried as the Goddess of Liberty, and then swelling and overflowing out into the adjacent streets, and along the river’s bank, and over the bridge, the Carmagnole absorbed them every one and whirled them away.
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We’ll drink to-night with hearts as light, To love, as gay and fleeting As bubbles that swim, on the beaker’s brim, And break on the lips while meeting.
“I did?”
“I have no business to be, at all, that I know of,” said Sydney Carton. “Who is the lady?”
The painter shuddered in spite of himself. “Dorian, if I told you, you might like me less than you do, and you would certainly laugh at me. I could not bear your doing either of those two things. If you wish me never to look at your picture again, I am content. I have always you to look at. If you wish the best work I have ever done to be hidden from the world, I am satisfied. Your friendship is dearer to me than any fame or reputation.”
(Stubb solus, and mending a brace.)
See with what entire freedom the whaleman takes his handful of lamps—often but old bottles and vials, though—to the copper cooler at the try-works, and replenishes them there, as mugs of ale at a vat. He burns, too, the purest of oil, in its unmanufactured, and, therefore, unvitiated state; a fluid unknown to solar, lunar, or astral contrivances ashore. It is sweet as early grass butter in April. He goes and hunts for his oil, so as to be sure of its freshness and genuineness, even as the traveller on the prairie hunts up his own supper of game.
“You have no business to be incorrigible,” was his friend’s answer, delivered in no very soothing tone.
“Basil,” he said, coming over quite close and looking him straight in the face, “we have each of us a secret. Let me know yours, and I shall tell you mine. What was your reason for refusing to exhibit my picture?”
Fore-Top.
In merchantmen, oil for the sailor is more scarce than the milk of queens. To dress in the dark, and eat in the dark, and stumble in darkness to his pallet, this is his usual lot. But the whaleman, as he seeks the food of light, so he lives in light. He makes his berth an Aladdin’s lamp, and lays him down in it; so that in the pitchiest night the ship’s black hull still houses an illumination.
The name of my unfortunate and murdered friend was an agitation too great to be endured in my weak state; I shed tears.
Dorian Gray passed his hand over his forehead. There were beads of perspiration there. He felt that he was on the brink of a horrible danger. “You told me a month ago that you would never exhibit it,” he cried. “Why have you changed your mind? You people who go in for being consistent have just as many moods as others have. The only difference is that your moods are rather meaningless. You can’t have forgotten that you assured me most solemnly that nothing in the world would induce you to send it to any exhibition. You told Harry exactly the same thing.” He stopped suddenly, and a gleam of light came into his eyes. He remembered that Lord Henry had said to him once, half seriously and half in jest, “If you want to have a strange quarter of an hour, get Basil to tell you why he won’t exhibit your picture. He told me why he wouldn’t, and it was a revelation to me.” Yes, perhaps Basil, too, had his secret. He would ask him and try.
Moby-Dick — Chapter 42: First Night-Watch
My father calmed me with assurances of their welfare and endeavoured, by dwelling on these subjects so interesting to my heart, to raise my desponding spirits; but he soon felt that a prison cannot be the abode of cheerfulness. “What a place is this that you inhabit, my son!” said he, looking mournfully at the barred windows and wretched appearance of the room. “You travelled to seek happiness, but a fatality seems to pursue you. And poor Clerval—”
Had you descended from the Pequod’s try-works to the Pequod’s forecastle, where the off duty watch were sleeping, for one single moment you would have almost thought you were standing in some illuminated shrine of canonized kings and counsellors. There they lay in their triangular oaken vaults, each mariner a chiselled muteness; a score of lamps flashing upon his hooded eyes.
Straight to the fort great Ajax turn’d his care, And thus bespoke his brothers of the war: “Now, valiant Lycomede! exert your might, And, brave Oïleus, prove your force in fight; To you I trust the fortune of the field, Till by this arm the foe shall be repell’d: That done, expect me to complete the day. Then with his sevenfold shield he strode away.” With equal steps bold Teucer press’d the shore, Whose fatal bow the strong Pandion bore.
He asked the question with some appearance of scorn.
Oh, God! to sail with such a heathen crew that have small touch of human mothers in them! Whelped somewhere by the sharkish sea. The white whale is their demigorgon. Hark! the infernal orgies! that revelry is forward! mark the unfaltering silence aft! Methinks it pictures life. Foremost through the sparkling sea shoots on the gay, embattled, bantering bow, but only to drag dark Ahab after it, where he broods within his sternward cabin, builded over the dead water of the wake, and further on, hunted by its wolfish gurglings. The long howl thrills me through! Peace! ye revellers, and set the watch! Oh, life! ’tis in an hour like this, with soul beat down and held to knowledge,—as wild, untutored things are forced to feed—Oh, life! ’tis now that I do feel the latent horror in thee! but ’tis not me! that horror’s out of me! and with the soft feeling of the human in me, yet will I try to fight ye, ye grim, phantom futures! Stand by me, hold me, bind me, O ye blessed influences!
Moby-Dick — Chapter 105: The Lamp