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Yes, we became very wakeful; so much so that our recumbent position began to grow wearisome, and by little and little we found ourselves sitting up; the clothes well tucked around us, leaning against the head-board with our four knees drawn up close together, and our two noses bending over them, as if our kneepans were warming-pans. We felt very nice and snug, the more so since it was so chilly out of doors; indeed out of bed-clothes too, seeing that there was no fire in the room. The more so, I say, because truly to enjoy bodily warmth, some small part of you must be cold, for there is no quality in this world that is not what it is merely by contrast. Nothing exists in itself. If you flatter yourself that you are all over comfortable, and have been so a long time, then you cannot be said to be comfortable any more. But if, like Queequeg and me in the bed, the tip of your nose or the crown of your head be slightly chilled, why then, indeed, in the general consciousness you feel most delightfully and unmistakably warm. For this reason a sleeping apartment should never be furnished with a fire, which is one of the luxurious discomforts of the rich. For the height of this sort of deliciousness is to have nothing but the blanket between you and your snugness and the cold of the outer air. Then there you lie like the one warm spark in the heart of an arctic crystal.

“This play was good enough for us, Harry. It was Romeo and Juliet. I must admit that I was rather annoyed at the idea of seeing Shakespeare done in such a wretched hole of a place. Still, I felt interested, in a sort of way. At any rate, I determined to wait for the first act. There was a dreadful orchestra, presided over by a young Hebrew who sat at a cracked piano, that nearly drove me away, but at last the drop-scene was drawn up and the play began. Romeo was a stout elderly gentleman, with corked eyebrows, a husky tragedy voice, and a figure like a beer-barrel. Mercutio was almost as bad. He was played by the low-comedian, who had introduced gags of his own and was on most friendly terms with the pit. They were both as grotesque as the scenery, and that looked as if it had come out of a country-booth. But Juliet! Harry, imagine a girl, hardly seventeen years of age, with a little, flowerlike face, a small Greek head with plaited coils of dark-brown hair, eyes that were violet wells of passion, lips that were like the petals of a rose. She was the loveliest thing I had ever seen in my life. You said to me once that pathos left you unmoved, but that beauty, mere beauty, could fill your eyes with tears. I tell you, Harry, I could hardly see this girl for the mist of tears that came across me. And her voice—I never heard such a voice. It was very low at first, with deep mellow notes that seemed to fall singly upon one’s ear. Then it became a little louder, and sounded like a flute or a distant hautboy. In the garden-scene it had all the tremulous ecstasy that one hears just before dawn when nightingales are singing. There were moments, later on, when it had the wild passion of violins. You know how a voice can stir one. Your voice and the voice of Sibyl Vane are two things that I shall never forget. When I close my eyes, I hear them, and each of them says something different. I don’t know which to follow. Why should I not love her? Harry, I do love her.

To whom the leader of the Dardan race: “Be calm, nor Phœbus’ honour’d gift disgrace. The distant dart be praised, though here we need The rushing chariot and the bounding steed. Against yon hero let us bend our course, And, hand to hand, encounter force with force. Now mount my seat, and from the chariot’s height Observe my father’s steeds, renown’d in fight; Practised alike to turn, to stop, to chase, To dare the shock, or urge the rapid race; Secure with these, through fighting fields we go; Or safe to Troy, if Jove assist the foe. Haste, seize the whip, and snatch the guiding rein; The warrior’s fury let this arm sustain; Or, if to combat thy bold heart incline, Take thou the spear, the chariot’s care be mine.”

The servant carried the pork in his fingers over to Demodocus, who took it and was very much pleased. They then laid their hands on the good things that were before them, and as soon as they had had to eat and drink, Ulysses said to Demodocus, “Demodocus, there is no one in the world whom I admire more than I do you. You must have studied under the Muse, Jove’s daughter, and under Apollo, so accurately do you sing the return of the Achaeans with all their sufferings and adventures. If you were not there yourself, you must have heard it all from some one who was. Now, however, change your song and tell us of the wooden horse which Epeus made with the assistance of Minerva, and which Ulysses got by stratagem into the fort of Troy after freighting it with the men who afterwards sacked the city. If you will sing this tale aright I will tell all the world how magnificently heaven has endowed you.”

Had she found Jane in any apparent danger, Mrs. Bennet would have been very miserable; but being satisfied on seeing her that her illness was not alarming, she had no wish of her recovering immediately, as her restoration to health would probably remove her from Netherfield. She would not listen, therefore, to her daughter’s proposal of being carried home; neither did the apothecary, who arrived about the same time, think it at all advisable. After sitting a little while with Jane, on Miss Bingley’s appearance and invitation, the mother and three daughters all attended her into the breakfast parlour. Bingley met them with hopes that Mrs. Bennet had not found Miss Bennet worse than she expected.