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ClearMrs. Vane winced and put her thin, bismuth-whitened hands on her daughter’s head. “Happy!” she echoed, “I am only happy, Sibyl, when I see you act. You must not think of anything but your acting. Mr. Isaacs has been very good to us, and we owe him money.”
No words the godlike Diomed return’d, But heard respectful, and in secret burn’d: Not so fierce Capaneus’ undaunted son; Stern as his sire, the boaster thus begun:
He invented a facile excuse, and having taken the vacant seat next to her, looked round to see who was there. Dorian bowed to him shyly from the end of the table, a flush of pleasure stealing into his cheek. Opposite was the Duchess of Harley, a lady of admirable good-nature and good temper, much liked by every one who knew her, and of those ample architectural proportions that in women who are not duchesses are described by contemporary historians as stoutness. Next to her sat, on her right, Sir Thomas Burdon, a Radical member of Parliament, who followed his leader in public life and in private life followed the best cooks, dining with the Tories and thinking with the Liberals, in accordance with a wise and well-known rule. The post on her left was occupied by Mr. Erskine of Treadley, an old gentleman of considerable charm and culture, who had fallen, however, into bad habits of silence, having, as he explained once to Lady Agatha, said everything that he had to say before he was thirty. His own neighbour was Mrs. Vandeleur, one of his aunt’s oldest friends, a perfect saint amongst women, but so dreadfully dowdy that she reminded one of a badly bound hymn-book. Fortunately for him she had on the other side Lord Faudel, a most intelligent middle-aged mediocrity, as bald as a ministerial statement in the House of Commons, with whom she was conversing in that intensely earnest manner which is the one unpardonable error, as he remarked once himself, that all really good people fall into, and from which none of them ever quite escape.
The Picture of Dorian Gray — Chapter 8: Chapter IV (part 1/3)
“How do you mean?”
She spoke; Minerva burns to meet the war: And now heaven’s empress calls her blazing car. At her command rush forth the steeds divine; Rich with immortal gold their trappings shine. Bright Hebe waits; by Hebe, ever young, The whirling wheels are to the chariot hung. On the bright axle turns the bidden wheel Of sounding brass; the polished axle steel. Eight brazen spokes in radiant order flame; The circles gold, of uncorrupted frame, Such as the heavens produce: and round the gold Two brazen rings of work divine were roll’d. The bossy naves of sold silver shone; Braces of gold suspend the moving throne: The car, behind, an arching figure bore; The bending concave form’d an arch before. Silver the beam, the extended yoke was gold, And golden reins the immortal coursers hold. Herself, impatient, to the ready car, The coursers joins, and breathes revenge and war.
“Why, Harry?”
“Are you so severe upon your own sex as to doubt the possibility of all this?”
“Stern power of war! by whom the mighty fall, Who bathe in blood, and shake the lofty wall! Let the brave chiefs their glorious toils divide; And whose the conquest, mighty Jove decide: While we from interdicted fields retire, Nor tempt the wrath of heaven’s avenging sire.”
Dorian smiled and shook his head: “I am afraid I don’t think so, Lady Henry. I never talk during music—at least, during good music. If one hears bad music, it is one’s duty to drown it in conversation.”
“It is only the sacred things that are worth touching, Dorian,” said Lord Henry, with a strange touch of pathos in his voice. “But why should you be annoyed? I suppose she will belong to you some day. When one is in love, one always begins by deceiving one’s self, and one always ends by deceiving others. That is what the world calls a romance. You know her, at any rate, I suppose?”
Supper concluded, we received a lamp, and directions from Mrs. Hussey concerning the nearest way to bed; but, as Queequeg was about to precede me up the stairs, the lady reached forth her arm, and demanded his harpoon; she allowed no harpoon in her chambers. “Why not?” said I; “every true whaleman sleeps with his harpoon—but why not?” “Because it’s dangerous,” says she. “Ever since young Stiggs coming from that unfort’nt v’y’ge of his, when he was gone four years and a half, with only three barrels of ile, was found dead in my first floor back, with his harpoon in his side; ever since then I allow no boarders to take sich dangerous weepons in their rooms at night. So, Mr. Queequeg” (for she had learned his name), “I will just take this here iron, and keep it for you till morning. But the chowder; clam or cod to-morrow for breakfast, men?”
“I went on board, bidding my men to do so also and loose the hawsers; so they took their places and smote the grey sea with their oars. When we got to the land, which was not far, there, on the face of a cliff near the sea, we saw a great cave overhung with laurels. It was a station for a great many sheep and goats, and outside there was a large yard, with a high wall round it made of stones built into the ground and of trees both pine and oak. This was the abode of a huge monster who was then away from home shepherding his flocks. He would have nothing to do with other people, but led the life of an outlaw. He was a horrid creature, not like a human being at all, but resembling rather some crag that stands out boldly against the sky on the top of a high mountain.
“We are talking about poor Dartmoor, Lord Henry,” cried the duchess, nodding pleasantly to him across the table. “Do you think he will really marry this fascinating young person?”
Going forward and glancing over the weather bow, I perceived that the ship swinging to her anchor with the flood-tide, was now obliquely pointing towards the open ocean. The prospect was unlimited, but exceedingly monotonous and forbidding; not the slightest variety that I could see.
[Illustration: ] VENUS, WOUNDED IN THE HAND, CONDUCTED BY IRIS TO MARS
Moby-Dick — Chapter 12: Nightgown
“I quite forget what I said,” smiled Lord Henry. “Was it all very bad?”
Thy fate was next, O Phæstus! doom’d to feel The great Idomeneus’ protended steel; Whom Borus sent (his son and only joy) From fruitful Tarne to the fields of Troy. The Cretan javelin reach’d him from afar, And pierced his shoulder as he mounts his car; Back from the car he tumbles to the ground, And everlasting shades his eyes surround.