A sovereign social network
powered by Bitcoin

“Basil, my dear boy, puts everything that is charming in him into his work. The consequence is that he has nothing left for life but his prejudices, his principles, and his common sense. The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.”

He was conscious—and the thought brought a gleam of pleasure into his brown agate eyes—that it was through certain words of his, musical words said with musical utterance, that Dorian Gray’s soul had turned to this white girl and bowed in worship before her. To a large extent the lad was his own creation. He had made him premature. That was something. Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art, was indeed, in its way, a real work of art, life having its elaborate masterpieces, just as poetry has, or sculpture, or painting.

But thee, Atrides! in that dangerous hour The gods forget not, nor thy guardian power, Pallas assists, and (weakened in its force) Diverts the weapon from its destined course: So from her babe, when slumber seals his eye, The watchful mother wafts the envenom’d fly. Just where his belt with golden buckles join’d, Where linen folds the double corslet lined, She turn’d the shaft, which, hissing from above, Pass’d the broad belt, and through the corslet drove; The folds it pierced, the plaited linen tore, And razed the skin, and drew the purple gore. As when some stately trappings are decreed To grace a monarch on his bounding steed, A nymph in Caria or Mæonia bred, Stains the pure ivory with a lively red; With equal lustre various colours vie, The shining whiteness, and the Tyrian dye: So great Atrides! show’d thy sacred blood, As down thy snowy thigh distill’d the streaming flood. With horror seized, the king of men descried The shaft infix’d, and saw the gushing tide: Nor less the Spartan fear’d, before he found The shining barb appear above the wound, Then, with a sigh, that heaved his manly breast, The royal brother thus his grief express’d, And grasp’d his hand; while all the Greeks around With answering sighs return’d the plaintive sound.

So that there are instances among them of men, who, named with Scripture names—a singularly common fashion on the island—and in childhood naturally imbibing the stately dramatic thee and thou of the Quaker idiom; still, from the audacious, daring, and boundless adventure of their subsequent lives, strangely blend with these unoutgrown peculiarities, a thousand bold dashes of character, not unworthy a Scandinavian sea-king, or a poetical Pagan Roman. And when these things unite in a man of greatly superior natural force, with a globular brain and a ponderous heart; who has also by the stillness and seclusion of many long night-watches in the remotest waters, and beneath constellations never seen here at the north, been led to think untraditionally and independently; receiving all nature’s sweet or savage impressions fresh from her own virgin voluntary and confiding breast, and thereby chiefly, but with some help from accidental advantages, to learn a bold and nervous lofty language—that man makes one in a whole nation’s census—a mighty pageant creature, formed for noble tragedies. Nor will it at all detract from him, dramatically regarded, if either by birth or other circumstances, he have what seems a half wilful overruling morbidness at the bottom of his nature. For all men tragically great are made so through a certain morbidness. Be sure of this, O young ambition, all mortal greatness is but disease. But, as yet we have not to do with such an one, but with quite another; and still a man, who, if indeed peculiar, it only results again from another phase of the Quaker, modified by individual circumstances.

With that, the blue-eyed virgin wing’d her flight; The hero rush’d impetuous to the fight; With tenfold ardour now invades the plain, Wild with delay, and more enraged by pain. As on the fleecy flocks when hunger calls, Amidst the field a brindled lion falls; If chance some shepherd with a distant dart The savage wound, he rouses at the smart, He foams, he roars; the shepherd dares not stay, But trembling leaves the scattering flocks a prey; Heaps fall on heaps; he bathes with blood the ground, Then leaps victorious o’er the lofty mound. Not with less fury stern Tydides flew; And two brave leaders at an instant slew; Astynous breathless fell, and by his side, His people’s pastor, good Hypenor, died; Astynous’ breast the deadly lance receives, Hypenor’s shoulder his broad falchion cleaves. Those slain he left, and sprung with noble rage Abas and Polyidus to engage; Sons of Eurydamus, who, wise and old, Could fate foresee, and mystic dreams unfold; The youths return’d not from the doubtful plain, And the sad father tried his arts in vain; No mystic dream could make their fates appear, Though now determined by Tydides’ spear.