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“This play was good enough for us, Harry. It was Romeo and Juliet. I must admit that I was rather annoyed at the idea of seeing Shakespeare done in such a wretched hole of a place. Still, I felt interested, in a sort of way. At any rate, I determined to wait for the first act. There was a dreadful orchestra, presided over by a young Hebrew who sat at a cracked piano, that nearly drove me away, but at last the drop-scene was drawn up and the play began. Romeo was a stout elderly gentleman, with corked eyebrows, a husky tragedy voice, and a figure like a beer-barrel. Mercutio was almost as bad. He was played by the low-comedian, who had introduced gags of his own and was on most friendly terms with the pit. They were both as grotesque as the scenery, and that looked as if it had come out of a country-booth. But Juliet! Harry, imagine a girl, hardly seventeen years of age, with a little, flowerlike face, a small Greek head with plaited coils of dark-brown hair, eyes that were violet wells of passion, lips that were like the petals of a rose. She was the loveliest thing I had ever seen in my life. You said to me once that pathos left you unmoved, but that beauty, mere beauty, could fill your eyes with tears. I tell you, Harry, I could hardly see this girl for the mist of tears that came across me. And her voice—I never heard such a voice. It was very low at first, with deep mellow notes that seemed to fall singly upon one’s ear. Then it became a little louder, and sounded like a flute or a distant hautboy. In the garden-scene it had all the tremulous ecstasy that one hears just before dawn when nightingales are singing. There were moments, later on, when it had the wild passion of violins. You know how a voice can stir one. Your voice and the voice of Sibyl Vane are two things that I shall never forget. When I close my eyes, I hear them, and each of them says something different. I don’t know which to follow. Why should I not love her? Harry, I do love her.

First, Pylæmenes, great in battle, bled, Who sheathed in brass the Paphlagonians led. Atrides mark’d him where sublime he stood; Fix’d in his throat the javelin drank his blood. The faithful Mydon, as he turn’d from fight His flying coursers, sunk to endless night; A broken rock by Nestor’s son was thrown: His bended arm received the falling stone; From his numb’d hand the ivory-studded reins, Dropp’d in the dust, are trail’d along the plains: Meanwhile his temples feel a deadly wound; He groans in death, and ponderous sinks to ground: Deep drove his helmet in the sands, and there The head stood fix’d, the quivering legs in air, Till trampled flat beneath the coursers’ feet: The youthful victor mounts his empty seat, And bears the prize in triumph to the fleet.

With that, the blue-eyed virgin wing’d her flight; The hero rush’d impetuous to the fight; With tenfold ardour now invades the plain, Wild with delay, and more enraged by pain. As on the fleecy flocks when hunger calls, Amidst the field a brindled lion falls; If chance some shepherd with a distant dart The savage wound, he rouses at the smart, He foams, he roars; the shepherd dares not stay, But trembling leaves the scattering flocks a prey; Heaps fall on heaps; he bathes with blood the ground, Then leaps victorious o’er the lofty mound. Not with less fury stern Tydides flew; And two brave leaders at an instant slew; Astynous breathless fell, and by his side, His people’s pastor, good Hypenor, died; Astynous’ breast the deadly lance receives, Hypenor’s shoulder his broad falchion cleaves. Those slain he left, and sprung with noble rage Abas and Polyidus to engage; Sons of Eurydamus, who, wise and old, Could fate foresee, and mystic dreams unfold; The youths return’d not from the doubtful plain, And the sad father tried his arts in vain; No mystic dream could make their fates appear, Though now determined by Tydides’ spear.

At length the jackal had got together a compact repast for the lion, and proceeded to offer it to him. The lion took it with care and caution, made his selections from it, and his remarks upon it, and the jackal assisted both. When the repast was fully discussed, the lion put his hands in his waistband again, and lay down to meditate. The jackal then invigorated himself with a bumper for his throttle, and a fresh application to his head, and applied himself to the collection of a second meal; this was administered to the lion in the same manner, and was not disposed of until the clocks struck three in the morning.

So he hurried up without even taking his cloak off, and seized a disc, larger, more massive and much heavier than those used by the Phaeacians when disc-throwing among themselves.68 Then, swinging it back, he threw it from his brawny hand, and it made a humming sound in the air as he did so. The Phaeacians quailed beneath the rushing of its flight as it sped gracefully from his hand, and flew beyond any mark that had been made yet. Minerva, in the form of a man, came and marked the place where it had fallen. “A blind man, Sir,” said she, “could easily tell your mark by groping for it—it is so far ahead of any other. You may make your mind easy about this contest, for no Phaeacian can come near to such a throw as yours.”