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“Ah! that is one of Harry’s views, isn’t it, Mr. Gray? I always hear Harry’s views from his friends. It is the only way I get to know of them. But you must not think I don’t like good music. I adore it, but I am afraid of it. It makes me too romantic. I have simply worshipped pianists—two at a time, sometimes, Harry tells me. I don’t know what it is about them. Perhaps it is that they are foreigners. They all are, ain’t they? Even those that are born in England become foreigners after a time, don’t they? It is so clever of them, and such a compliment to art. Makes it quite cosmopolitan, doesn’t it? You have never been to any of my parties, have you, Mr. Gray? You must come. I can’t afford orchids, but I spare no expense in foreigners. They make one’s rooms look so picturesque. But here is Harry! Harry, I came in to look for you, to ask you something—I forget what it was—and I found Mr. Gray here. We have had such a pleasant chat about music. We have quite the same ideas. No; I think our ideas are quite different. But he has been most pleasant. I am so glad I’ve seen him.”

Now, Bildad, I am sorry to say, had the reputation of being an incorrigible old hunks, and in his sea-going days, a bitter, hard task-master. They told me in Nantucket, though it certainly seems a curious story, that when he sailed the old Categut whaleman, his crew, upon arriving home, were mostly all carried ashore to the hospital, sore exhausted and worn out. For a pious man, especially for a Quaker, he was certainly rather hard-hearted, to say the least. He never used to swear, though, at his men, they said; but somehow he got an inordinate quantity of cruel, unmitigated hard work out of them. When Bildad was a chief-mate, to have his drab-coloured eye intently looking at you, made you feel completely nervous, till you could clutch something—a hammer or a marling-spike, and go to work like mad, at something or other, never mind what. Indolence and idleness perished before him. His own person was the exact embodiment of his utilitarian character. On his long, gaunt body, he carried no spare flesh, no superfluous beard, his chin having a soft, economical nap to it, like the worn nap of his broad-brimmed hat.

Antenor took the word, and thus began:[115] “Myself, O king! have seen that wondrous man When, trusting Jove and hospitable laws, To Troy he came, to plead the Grecian cause; (Great Menelaus urged the same request;) My house was honour’d with each royal guest: I knew their persons, and admired their parts, Both brave in arms, and both approved in arts. Erect, the Spartan most engaged our view; Ulysses seated, greater reverence drew. When Atreus’ son harangued the listening train, Just was his sense, and his expression plain, His words succinct, yet full, without a fault; He spoke no more than just the thing he ought. But when Ulysses rose, in thought profound,[116] His modest eyes he fix’d upon the ground; As one unskill’d or dumb, he seem’d to stand, Nor raised his head, nor stretch’d his sceptred hand; But, when he speaks, what elocution flows! Soft as the fleeces of descending snows,[117] The copious accents fall, with easy art; Melting they fall, and sink into the heart! Wondering we hear, and fix’d in deep surprise, Our ears refute the censure of our eyes.”

arm-chair, in the little library of Lord Henry’s house in Mayfair. It was, in its way, a very charming room, with its high panelled wainscoting of olive-stained oak, its cream-coloured frieze and ceiling of raised plasterwork, and its brickdust felt carpet strewn with silk, long-fringed Persian rugs. On a tiny satinwood table stood a statuette by Clodion, and beside it lay a copy of Les Cent Nouvelles, bound for Margaret of Valois by Clovis Eve and powdered with the gilt daisies that Queen had selected for her device. Some large blue china jars and parrot-tulips were ranged on the mantelshelf, and through the small leaded panes of the window streamed the apricot-coloured light of a summer day in London.

Thus toil’d the chiefs, in different parts engaged. In every quarter fierce Tydides raged; Amid the Greek, amid the Trojan train, Rapt through the ranks he thunders o’er the plain; Now here, now there, he darts from place to place, Pours on the rear, or lightens in their face. Thus from high hills the torrents swift and strong Deluge whole fields, and sweep the trees along, Through ruin’d moles the rushing wave resounds, O’erwhelm’s the bridge, and bursts the lofty bounds; The yellow harvests of the ripen’d year, And flatted vineyards, one sad waste appear![144] While Jove descends in sluicy sheets of rain, And all the labours of mankind are vain.