Elisa Hormazábal is the confirmed costume designer on Eli Roth’s Knock Knock (2015), as well as on his related Chile-shot projects The Green Inferno (2013) and Aftershock (2012).
She is a Chilean designer whose work sits inside the “Chilewood” pipeline Roth built with Nicolás López and others—films shot in Santiago and surrounding areas that stand in for American settings while drawing on local crews.
The protagonist of Guillermo del Toro’s The Shape of Water (2017) is also named Elisa (Elisa Esposito). That shared first name creates a direct nominal link between the costume designer on Roth’s erotic-thriller/home-invasion story and the mute cleaning woman whose clothing, thrift-store sensibility, and evolving red accents (shoes, coat, strength) form a core visual and emotional thread in del Toro’s film. Costume design is the explicit professional identity of one Elisa and a major character-defining element for the other.
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